A Quote by Juliette Lewis

It's always been my dream to have a monster rhythm section that's just all groove and pocket. — © Juliette Lewis
It's always been my dream to have a monster rhythm section that's just all groove and pocket.
There's a certain groove you pick that makes the music flow, and when you have it it's in your pocket. It's the feeling behind the rhythm to me, the hardest thing to strive for is that feeling, behind the groove.
There's a certain groove you pick that makes the music flow, and when you have it it's in your pocket. It's the feeling behind the rhythm... to me, the hardest thing to strive for is that feeling, behind the groove.
The relationship in Pantera and with Damageplan is the opposite of the traditional rhythm section. It's me and Dime, not the bass, locking in always. Dime's such a strong rhythm player that we just walk in, and we're good to go. We've been playing together forever, and when he goes somewhere, I instinctively know where he's going.
I have a West Coast rhythm section and a New York rhythm section. I've got them spread out all over the place.
White rhythm is waltzes, marches, and the polka. In Africa, rhythm is used for a celebratory groove, but white rhythm doesn't have such an enormous vocabulary of spirits. It's basically militant.
In order to have that incredible groove that makes you dream you have to think not of the groove, but of the dream.
The thing that I always notice that dates a record is the rhythm section. With a good arranger the music can be timeless. But, rhythm can change, because heaven knows, we didn't know rock was going to come in, did we?
If you don't have a good rhythm section, your band is toast; you're a bar band. Good rhythm section, you've got a chance to get out of the bar.
I always felt as a horn player, a jam session wasn't satisfying enough for me. I should have been a rhythm section player, actually.
I can't get very excited about a musician who can do Art Tatum because I've got the Art Tatum records. I want to hear him take that and do something that hasn't been done. And there's enough of that going around that keeps the music very exciting. There's so many great young players coming out. I think we're in some kind of renaissance, especially in the rhythm section. I mean the musicians on drums and bass and guitar are really trying to figure out different ways to bring a rhythm section together.
When you struggle winning matches all year and you don't really get into a groove or rhythm, you just can't expect to just come in here and have it click.
I think that the rhythm sections, drummers in particular, are the unsuing heroes of the music. It's the rhythm section that has changed the styles from one period to the other.
I can always tell if a band has a British rhythm section due to the gritty production.
If the rhythm section is really swinging it's such a great feeling - you just want to laugh!
A girl can dream." His eyebrows rose. "Is that what you dream about? Being a monster?" "Not exactly," I said, frowning at his word choice. Monster, indeed. "Mostly I dream about being with you forever.
With horns and a full rhythm section, the drums always looked like the best seat in the house.
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