A Quote by Julio Cortazar
But what is memory if not the language of feeling, a dictionary of faces and days and smells which repeat themselves like the verbs and adjectives in a speech, sneaking in behind the thing itself,into the pure present, making us sad or teaching us vicariously.
Related Quotes
The secret of force in writing lies not so much in the pedigree of nouns and adjectives and verbs, as in having something that you believe in to say, and making the parts of speech vividly conscious of it.
Like Pinter and Orton, the writer, Clive Exton, catches the poetry of modern everyday speech, which, whether we like it or not, includes four-letter words used as verbs, nouns, adverbs and adjectives. But, God, is it difficult to learn.
The essential thing in religion is making the heart pure; the Kingdom of Heaven is within us, but only the pure in heart can see the King. While we think of the world, it is only the world for us; but let us come to it with the feeling that the world is God, and we shall have God.
The semanticists are exactly wrong in regarding language as an obstruction or series of pitfalls. Language, on the contrary, appears as a great storehouse of universal memory, or it may be said to serve as a net, not imprisoning us but supporting us and aiding us to get at a meaning beyond present meaning through the very fact that it embodies others' experiences.
They've a temper, some of them - particularly verbs, they're the proudest - adjectives you can do anything with, but not verbs.
When the time comes to you at which you will be forced at last to utter the speech which has lain at the center of your soul for years, which you have, all that time, idiot-like, been saying over and over, you'll not talk about the joy of words. I saw well why the gods do not speak to us openly, nor let us answer. Till that word can be dug out of us, why should they hear the babble that we think we mean? How can they meet us face to face till we have faces?
In a language known to us, we have substituted the opacity of the sounds with the transparence of the ideas. But a language we donot know is a closed place in which the one we love can deceive us, making us, locked outside and convulsed in our impotence, incapable of seeing or preventing anything.
Memory is a dead thing. Memory is not truth and cannot ever be, because truth is always alive, truth is life; memory is persistence of that which is no more. It is living in ghost world, but it contains us, it is our prison. In fact it is us. Memory creates the knot, the complex called the I and the ego
You have to look at the value of different kinds of words. Adjectives weaken, and adverbs come even farther down the line. Verbs are strong; verbs and nouns.
The worst of this sorry bunch of semi-educated losers are those who seem to glory in being irritated by nouns becoming verbs. How dense and deaf to language development do you have to be? If you don’t like nouns becoming verbs, then for heaven’s sake avoid Shakespeare who made a doing-word out of a thing-word every chance he got. He TABLED the motion and CHAIRED the meeting in which nouns were made verbs
A picture held us captive. And we could not get outside it, for it lay in our language and language seemed to repeat it to us inexorably.
The memory is perpetually looking back when we have nothing present to entertain us. It is like those repositories in animals that are filled with food, on which they may ruminate when their present pastures fail.
Virtually every beginning poet hurts himself by an addiction to adjectives. Verbs are by far the most important things for poems-especially wonderful tough monosyllables like "gasp" and "cry." Nouns are the next most important. Adjectives tend to be useless.
All people in the world - who are not hermits or mutes - speak words. They speak different languages, but they speak words. They say, "How are you" or "I'm not feeling well" all over the world. These common words - these common elements that we have between us - the writer has to take some verbs and nouns and pronouns and adjectives and adverbs and arrange them in a way that sound fresh.
Most people, if they think at all about the dictionary, think of it as this fixed object given to us from on high. It is the thing that legitimizes language and makes language real. You never think that it's actually compiled by living, breathing nerds like me. When you realize that it's compiled by people, it becomes a different thing, a different kind of document.
Wisdom is the only thing which can relieve us from the sway of the passions and the fear of danger, and which can teach us to bear the injuries of fortune itself with moderation, and which shows us all the ways which lead to tranquility and peace.
Related Authors
Charles Bukowski Quotes
American
Novelist
Charles Dickens Quotes
English
Novelist
Chuck Palahniuk Quotes
American
Novelist
Ernest Hemingway Quotes
American
Novelist
George Eliot Quotes
British
Novelist
George Orwell Quotes
British
Novelist
George R. R. Martin Quotes
American
Novelist
Jane Austen Quotes
British
Novelist
Johann Wolfgang von Goethe Quotes
German
Novelist
Margaret Atwood Quotes
Canadian
Novelist
Nicholas Sparks Quotes
American
Novelist
Paulo Coelho Quotes
Brazilian
Novelist
Sarah Dessen Quotes
American
Novelist
Stephenie Meyer Quotes
American
Novelist
Veronica Roth Quotes
American
Novelist
Victor Hugo Quotes
French
Novelist