A Quote by Julio Cortazar

Everything can be killed except nostalgia for the kingdom, we carry it in the color of our eyes, in every love affair, in everything that deeply torments and unties and tricks.
Giving up everything must mean giving over everything to kingdom purposes, surrendering everything to further the one central cause, loosening our grip on everything. For some of us, this may mean ridding ourselves of most of our possessions. But for all of us it should mean dedicating everything we retain to further the kingdom. (For true disciples, however, it cannot mean hoarding or using kingdom assets self-indulgently.)
There is nothing to learn about love. Everything is already there, in our genes, in our nature. We don't have to learn anything except what we invent in this world of illusion. We search for love outside ourselves when love is all around us. Love is everywhere, but we don't have the eyes to see...Your heart can create any amount of love, not just for yourself, but for the whole world. When we know that our heart is a magical kitchen, we are always generous and our love is completely unconditional.
Everything about him was old except his eyes and they were the same color as the sea and were cheerful and undefeated.
Love is the all-or-nothing of the kingdom of God. Above all we are to love (Col. 3:14; 1 Peter 4:8). Everything we do is to be done in love and, thus, communicate love (1 Cor. 16:14). We are to imitate God by living in Christlike love (Eph. 5:1–2), and if we do this, we fulfill the whole law (Matt. 22:37–40; Rom. 13:8–10). If we lack this, everything else we do is devoid of kingdom value, however impressive it might otherwise be (1 Cor. 13:1–3).
You can't be a creative person and not fall in love with everything. Every movie I've made there's a complicated, twisted love affair with.
Romantic love is blind to everything except what is lovable and lovely, but Christ's love sees us with terrible clarity and sees us whole. Christ's love so wishes our joy that it is ruthless against everything in us that diminishes our joy. The worst sentence Love can pass is that we behold the suffering which Love has endured for our sake, and that is also our acquittal. The justice and mercy of the judge are ultimately one.
Perfect love is to feeling what perfect white is to color. Many think that white is the absence of color. It is not. It is the inclusion of all color. White is every other color that exists, combined. So, too, is love not the absence of an emotion (hatred, anger, lust, jealousy, covetousness), but the summation of all feeling. It is the sum total. The aggregate amount. The everything.
I love you with everything I am, everything I've been, and everything I hope to be. I love you with my past, and I love you for my future. I love you for the children we'll have and for the years we'll have together. I love you for every one of my smiles and even more, for every one of your smiles.
For her everything was red, orange, gold-red from the sun on the closed eyes, and it all was that color, all of it, the filling, the possessing, the having, all of that color, all in a blindness of that color." - Ernest Hemingway.
Everything we shut our eyes to, everything we run away from, everything we deny, denigrate, or despise, serves to defeat us in the end.
The Gross National Product measures neither our wit nor our courage, neither our wisdom nor our learning, neither our compassion nor our devotion to our country. It measures everything, in short, except that which makes life worthwhile, and it can tell us everything about America - except whether we are proud to be Americans.
Every kingdom work, whether publicly performed or privately endeavored, partakes of the kingdom's imperishable character. Every honest intention, every stumbling word of witness, every resistance of temptation, every motion of repentance, every gesture of concern, every routine engagement, every motion of worship, every struggle towards obedience, every mumbled prayer, everything, literally, which flows out of our faith-relationship with the Ever-Living One, will find its place in the ever-living heavenly order which will dawn at his coming.
In 'Forbidden Love,' my character is a divorcee who has an affair with a young doctor. They are blissfully happy and have everything going for them. But their peers, friends, her daughter, and his family disapprove, and the affair ends.
The outer kingdom is not our real home. The inner kingdom is our everything.
Almost religiously, I step away from everything and close my eyes and breathe deeply for a few moments. It helps solidify my focus and aligns everything in my body to take care of the task at hand - which is winning, of course.
I think in every picture that I've ever made. Everything that I've done torments me. I really would like another chance except I'd be too embarrassed to ever really try to do them again and no one would want to see the same movie just done differently.
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