A Quote by Julius Hemphill

I think music as we know it, is autobiographical. — © Julius Hemphill
I think music as we know it, is autobiographical.
Even if the experience in my stories is not autobiographical and the actual plot is not autobiographical, the emotion is always somewhat autobiographical. I think there's some of me in every one of the stories.
All my music is autobiographical, and that's the reason why people like my music. They know when I'm saying something on a song, I mean it. It comes from a real place and captures the realness in my life.
Autobiographical writings, essays, interviews, various other things... All the non-fiction prose I wanted to keep, that was the idea behind this collected volume, which came out about few years ago. I didn't think of Winter Journal, for example, as an autobiography, or a memoir. What it is is a literary work, composed of autobiographical fragments, but trying to attain, I hope, the effect of music.
People ask, 'Are your things autobiographical?,' and I think, no, they're not autobiographical directly, but of course my life has informed my work.
Look, anything any writer writes is going to be on some level autobiographical. Part of the funny/sad thing is that you don't always know how autobiographical you're being.
If you think of any long-term artist that makes music throughout several decades, you would hope that it's autobiographical and a form of self-expression, and that's certainly how I approach my music.
All novels must be autobiographical because I am the only material that I know. All of the characters are me. But at the same time, a novel is never autobiographical even if it describes the life of the author. Literary writing is a completely different medium.
I do think all art is autobiographical, and I do think I know quite a bit about women. I don't know anything about men.
I would like to do something autobiographical, set to music. I don't know how I'm going to do it, but I'm going to try.
I think music for me, it's part of my life. I like music. I think I'm very emotional, so, you know, I just try to take all the emotion, you know, that music bring it to me, you know, some make - I mean, help me to calm down some, for sure motivate me more. You know, there's always music. I think just make me smooth before the match, you know.
I have to say in premise 'Winter Journal' is really not a memoir. And I don't even think of it as an autobiography. I think of it as a literary composition - similar to music - composed of autobiographical fragments. I'm really not telling the story of my life in a coherent narrative form.
You can look at my autobiographical pieces as source books... But, you see, my fiction doesn't revolve around autobiographical questions.
[Oscar Wilde's Salome screenplay] is not autobiographical in a sense where you go to my house and see my kids and stuff like that, but that's why I guess it's semi-autobiographical.
Everything is autobiographical, and nothing is autobiographical. That's fiction.
I felt at some point that I had nothing to lose, and [laughs] maybe I was wrong. I think, you know, there's always these little autobiographical secrets behind things. I think I was really attacking my earlier self, and this kind of pretentious figure.
When I started writing at 18 or 19, I had a fear of anything autobiographical, but I've come to realise that my writing is very autobiographical at the emotional level.
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