A Quote by Julius Lester

When I read students’ attempts at creative writing it is obvious immediately that most of them have not read much or widely. The aspiring writer must read everything he or she can to appreciate the myriad ways words are used and to what effect.
She was widely read enough to appreciate my literary wit but not so widely read that she knew my sources. I like that in a woman.
The most important thing for any aspiring writer, is to read! And not just the sort of thing you're trying to write, be that fantasy, SF, comic books, whatever. You need to read everything.
Misquotation is, in fact, the pride and privilege of the learned. A widely- read man never quotes accurately, for the rather obvious reason that he has read too widely.
Read. Read. Read. Read many genres. Read good writing. Read bad writing and figure out the difference. Learn the craft of writing.
Students who read the most also read the best, achieve the most, and stay in school the longest. Conversely, those who dont read much cannot get better at it.
To become a novelist, the most crucial thing one must do is read, read and read again - gradually you begin to think like a writer. Ideas are not found - they are shaped.
Read more. Read. Read. Read. Deeply, widely, read. Learn all kinds of subjects. The smarter you are as an actor, the better an actor you'll be.
Read widely, and without apology. Read what you want to read, not what someone tells you you should read.
Read. Read. Read. Read. Read great books. Read poetry, history, biography. Read the novels that have stood the test of time. And read closely.
I didn't want to teach my kid how to read, so I used to read to him at night and close the book at the most interesting part. He said, “What happened then, daddy?” I said, “If you learn to read, you can find out. I'm too tired to read. I'll read to you tomorrow.” So, he had a need to want to learn how to read. Don't teach children how to read. Don't teach them mathematics. Give them a reason to want it. In school, they're working ass-backwards.
I used to say, read as much as you can. Now I say, read the best that you can, the stories that resonate with you, the books that are important to you. Try to read, not only as a reader, but also as a writer, to deconstruct how the author is telling his or her story.
The only advice anybody can give is, if you wanna be a writer, keep writing. And read all you can, read everything.
It's not possible to advise a young writer because every young writer is so different. You might say, 'Read,' but a writer can read too much and be paralyzed. Or, 'Don't read, don't think, just write,' and the result could be a mountain of drivel.
Read at every wait; read at all hours; read within leisure; read in times of labor; read as one goes in; read as one goest out. The task of the educated mind is simply put: read to lead.
Reading has always brought me pure joy. I read to encounter new worlds and new ways of looking at the world. I read to enlarge my horizons, to gain wisdom, to experience beauty, to understand myself better, and for the pure wonderment of it all. I read and marvel over how writers use language in ways I never thought of. I read for company, and for escape. Because I am incurably interested in the lives of other people, both friends and strangers, I read to meet myriad folks and enter their lives- for me, a way of vanquishing the “otherness” we all experience.
I read everything. I'll read a John Grisham novel, I'll sit and read a whole book of poems by Maya Angelou, or I'll just read some Mary Oliver - this is a book that was given to me for Christmas. No particular genre. And I read in French, and I read in German, and I read in English. I love to see how other people use language.
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