A Quote by Julius Nyerere
The African is not 'Communistic' in his thinking; he is -- if I may coin an expression - 'communitary'.
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In the matter of the maintenance and rearing of children the Anarchists would neither institute the communistic nursery which the State Socialists favor nor keep the communistic school system which now prevails.
Art is expression; what is expressed is often the vision of a subtle and powerful soul, and also his experience with his vision; and however vivid and skilful he may be in the means of expression, yet it is frequently found that the master-spell in his work is something felt to be indefinable and inexpressible.
There's nothing like being in fashion. A man that has once got his character up for a wit is always sure of a laugh, say what he may. He may utter as much nonsense as he pleases, and all will pass current. No one stops to question the coin of a rich man; but a poor devil cannot pass off either a joke or a guinea without its being examined on both sides. Wit and coin are always doubted with a threadbare coat.
Every man's own character is written so all who will may read it, in the expression of his eyes, the tone of his voice, the posture of his body, the style of his clothes, and the nature of his deeds!
It is a proverbial expression that every man is the maker of his own fortune, and we usually regard it as implying that every man by his folly or wisdom prepares good or evil for himself. But we may view it in another light, namely, that we may so accommodate ourselves to the dispositions of Providence as to be happy in our lot, whatever may be its privations.
To my way of thinking, the concept drawings that Rembrandt did, the drawings he made that he used to model his artists, to work out the compositions of his paintings: those are cartoons. Look at his sketch for the return of the prodigal son. The expression on the angry younger brother's face. The head is down; the eyebrow is just one curved line over the eyes. It communicates in a very shorthand way. It's beautiful, expressive, and, in a peculiar way, it's more powerful than the kind of stilted, formalized expression in the final painting.
I know my mom still wears lingerie and jumps out of closets to scare my dad. She's always joked that she tries to give him a heart attack so she can get his coin collection. But now she's actually worried that she might give him a heart attack. And the coin collection may not exist, so she's being gentler on him.
Literature doesn't have a country. Shakespeare is an African writer. His Falstaff, for example, is very African in his appetite for life, his largeness of spirit. The characters of Turgenev are ghetto dwellers. Dickens characters are Nigerians.
I use a 1994 South African 5 rand coin to mark my ball. It reminds me of my '94 U.S. Open win at Oakmont.
[T]he individual in whom the will for the light is strong and clear finds his heart inextricably bound up with the struggle of the forces of light in his native place and time. Much as he may long for the opportunity of fuller self- expression in a happier world, he knows that for him self-expression is impossible save in the world in which his mind is rooted. The individual in whom the will for the light is weak soon persuades himself that his opportunity lies elsewhere.
Ray Charles revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
Ray Charles' revolutionary approach to music was also reflected in his politics and his deep and abiding commitment to Martin Luther King and the plight of African-Americans. Ray Charles may not have been on the front lines, but he put his money where his mouth was.
I fashion the expression of my face, as accurately as possible, in accordance with the expression of his, and then wait to see what thoughts or sentiments arise in my mind or heart, as if to match or correspond with the expression.
Whenever I may be tempted to slack up and let the business run for awhile on its own impetus, I picture my competitor sitting at a desk in his opposition house, thinking and thinking with the most devilish intensity and clearness, and I ask myself what I can do to be prepared for his next brilliant move.
Variation does not mean evolution. If an artist varies his mode of expression this only means that he has changed his manner of thinking, and in changing, it might be for the better or it might be for the worse.
Every child has a right to know how to achieve control of his body in order that he may use it to the limit of his ability for the expression of his own reactions to life. Even if he can never carry his efforts far enough to realize dance in its highest forms, he may experience the sheer joy of the rhythmic sense of free, controlled, and expressive movement, and through this know an addition to life to which every human being is entitled.
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