A Quote by Julius Peppers
That one thing that people say about me taking plays off, I feel like somebody said that when I was playing in college and it has followed me throughout my career. Because I feel like if we had the film and you wanted to pick one person who was taking a play off on a particular play, you could pick anybody.
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I'm taking (the training) a little more seriously than I normally would to speed up the process. I don't care if people say I was a surprise pick. I feel like it's an honor and the people who made the decision to put me on the team know what they are talking about. To play for your country is something you can hold on to the rest of your life.
I find it relatively easy to keep my clothes on because I don't really feel like taking them off. It's not an urge I have. For me, 'risky' is revealing what really happened in my life through music. Risky is writing confessional songs and telling the true story about a person with enough details so everyone knows who that person is. That's putting myself out there, maybe even more than taking my shirt off.
Jean-Luc Godard saw me in a commercial. He first asked me to play a little part in 'Breathless' of a girl who is taking her clothes off. I said, 'No, I don't want to take my clothes off.' But he called me again for 'Le Petit Soldat.' He said it was a political film, so I didn't have to take my clothes off at all.
I guarantee that if you ask anyone who is guarding me, they won't say I'm taking plays off. It's actually a compliment to me that I make the game look that easy, where people think I don't play that hard.
When we go into the 80's it has more of a pop feel. But it's what I wanted to do. I wasn't trying to reach. See, that's the thing with me, I never wanted to reach any particular crowd. I'm writing for myself. If I don't like it I won't play it for anybody.
I wouldn't mind going somewhere and taking a president position and signing acts and taking the attention off of me and taking what I've learned in my career and applying that to another person's.
I did a film about child abuse with the great producer-director Richard Donner, Radio Flyer. Again, I was replacing somebody, but Lorraine Bracco was in it, and they wanted me as the cop in the thing to fall in love with Lorraine, but I said I wouldn't. I mean, I'm a cop, and she's ignoring that her kids are being beaten up by their stepfather. And we had an argument... well, not an argument, but a discussion about it. I said, "I just don't feel right. It's like you're taking everything away from the reality of the movie. Aren't you kind of idealizing this a little bit?
It's been very important throughout my career that I've met all the guys I've copied, because at each stage they've said, 'Don't play like me, play like you.'
I've talked about tall poppy syndrome when I see people. I used to be like, 'Why am I feeling this way? What is that person taking from me that makes me feel inadequate?' That same feeling you feel when you feel uncomfortable because people start talking about racism, lean into that feeling, don't just look away from it, because you can't pretend.
[ Christianity], in and of itself, sets itself apart inherently, and so, for somebody to say, Well it just seems to me like you can pick between all these religions and still have the same thing. Its kind of like somebody saying, You could pick between 80 bananas and one apple and say you have a banana. You cant call that apple a banana.
I guess I still feel that I'm a comedian; if I had to pick one thing that I feel like I could do, it would be that. That doesn't mean that I like it, but I feel that's what I am.
I’m actually taking advantage of my time off. You know, I had a film that was pushed, so I’m home spending time with my family, going to the gym and actually enjoying taking care of myself…This year has been great for me because I’ve learned how to relax. The last three years have been amazing but kind of crazy. So I don’t know, I feel grounded. I feel really good.
Mike Bloomfield sat down and started playing, and I went, whoa! Because I had never heard any white person play like that before. And he was about my age, and he just, that finished off my guitar career, just like that, in one afternoon.
If a fan approaches me and I feel like they have some kind of agenda, I'm probably gonna get real closed-off and not talk to them. But if I feel a connection with someone, or if I feel a certain trust with somebody, I feel like, 'You know what, I can open up to this person and tell them about an experience.'
What I enjoy about the live experience is getting onstage, being handed a guitar that is in tune, taking it off mute, knowing that the very moment I want to play a note, I can play it. People are waiting on me and I'm waiting on me, and I have no idea what I'm going to play. That's the biggest joy in life.
The most important thing for me is the thing I strive for. But I also hope when I play my songs for people - adult, children, mostly children - that they feel mighty, they feel noble, they feel like warriors. And they feel like they can do anything in the world because that's how I feel.
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