I try not to think too much about what the audience is thinking and what they think I should do. I'd be self-conscious if I did. Anyone becomes mannered if you think too much about what other people think.
For me, I try not to think about it too much, because you find that if you think about it too much, then you start to panic at every little thing that goes on in training.
None of us can be sure of how long we will live. Because this is so, I think you should try not to think too much about dying but think about all the nice things that make life so precious to us all.
I don't really think about anything too much. I live in the present. I move on. I don't think about what happened yesterday. If I think too much, it kind of freaks me out.
I don't really think about things too much, but people are going to form impressions about you if you play football, aren't they? And if they think you're the funny guy or the boy that likes a laugh, well that ain't so bad.
Sometimes when you are trying not to think about something it keeps popping back in your head you can't help it you think about it and think about it and think about it until your brain feels like a squashed pea.
How you think, and how much you think, is so important in golf. There are countless things we can work on and think about in the swing, but when it's time to play in competition, you don't want to think too many thoughts.
Some players, they have all their licks memorized. They think about what they're going to play, but I try to think about what not to play. Tone and phrasing, that's what's important - less is more. The feeling, that's the thing.
I just try not to think too much about how I'm perceived. I think as long as I'm still selling tickets and can pay my mortgage, then people are probably thinking good enough things or whatever about me to keep the train moving.
Sometimes when you're inside a story, it's almost better if you don't think too much about its wider cultural significance or if you don't think about how audiences might react to it. That takes you out of the reality of the situation you're committing to as you're telling the story.
I didn't think much about that statement then. But later I would-I still do. I think about it and think about it until I think I'm going crazy.
You have to think for an email. What's the subject? What's it about? It takes two seconds to think about that. So you have to think, Is this a work thing or a social thing? Which? Then you get into a situation that you don't want to be in, because then people are thinking about it too much.
I think you kind of hope for people gush over movies, but I think the opposite is great sometimes, too. I'd rather have a movie that you're angry about and that you're talking about the next day, than something you forget about when the popcorn goes into the trash.
I try not to think too much about what the audience is thinking and what they think I should do.
Think about all the great leaders. Think about Obama. Think about Clinton. Think about Nelson Mandela. Think about all the people that we know who are very successful in business, in politics and religion. What are they? They tell purposeful stories. They move people to action by aiming at the heart.
Comedy, sometimes if you think about it too much then it becomes a bit boring. If you start thinking about striking the right balance sometimes it takes the spontaneity out of it.