A Quote by Julius Peppers

I didn't know I was different athletically for a long time. I thought everyone did the sort of things that I can do. — © Julius Peppers
I didn't know I was different athletically for a long time. I thought everyone did the sort of things that I can do.
A different script calls for different things. It always takes me a long time to get to know the part, and know the logic behind the words. I have to be with the script for quite a long time before things start to fall into place, before they become part of the character.
I'm not one of these people who thinks everyone born into privilege should wear sack cloth and ashes. But it's something I wrestle with. I know a lot of people who live below the poverty level and have for a long time and it makes them uneasy to think they'll have to interact with people from different economic levels. Everyone has some sort of load put on them, whatever the circumstances they're born into.
I've always felt a little different than everyone - you know, most of the other kids in my class - and I didn't quite see things the way they did or I didn't experience things the same way they did. I often felt a little bit like an outcast.
I started juggling a long time ago, but long before that, I was a golfer, and that's what I was: a golfer. And as a golfer and as a kid, one of the things that really sort of seeped into my pores, that I sort of lived my whole life, is process. And it's the process of learning things.
At the same time I know that it’s not really their fault, at least not completely. I did my part too. I did it on a hundred different days and in a thousand different ways, and I know it. But this makes the anger worse, not better.
There's a lot of different things that make me want to take photos. A lot of it is, for a long time I've been obsessed with the thought of time travel with my camera.
When you're dying and your life is flashing before your eyes, you're gonna be thinking about the great things that you did, the horrible things that you did and the emotional impact that someone had on you and that you had on somebody else. Those are the things that are relevant. To have some sort of emotional impact that transcends your time, that's great. As long as you don't mess it up by being undignified when you're old.
We all have different competencies. Some of us are intellectually gifted, some of us athletically gifted, some of us are great listeners. Everyone has a different level of what they can do.
Things you did. Things you never did. Things you dreamed. After a long time they run together.
I couldn't have articulated this process at the time; I just sort of did it instinctually. But now when I talk about this with my students all the time, it's one of the first things I address in memoir classes - that you have to put it all in because you're writing your way into the ending of your own story. Even if you think you know what the story is, you don't until you write it. If you start leaving things out you could leave out vital organs and not know it.
I really hope that the traditional sort of girl that people view as an actress changes. There's room for everyone, you know? All of us bring different things to the table. It's nice to show people that you don't have to be one type of personality to do this.
I thought, 'If I go to uni, I can read and watch people and take many different subjects - take philosophy modules - and have time to travel in the summers,' which I did. I thought, 'I hope this will make me a better actor,' and it did.
Everyone has all different experiences in school. I just know that throughout my life, at no time did any teacher ever point to me and say, hey. He'll go far.
'Friday Night Lights' was kind of like my college years because I did four seasons of that. It was my first series. It was the most time I had with one character, and kind of growing and evolving with the character over that long of a span of time, it just allows you to sort of learn in a completely different way that I had never experienced.
He cleared his throat, "Zoe, i think you said you love me." "I did say it. I do love you with all my heart." "I see." There was a long pause, then he said, "For how long has this been going on?" "I don't know," she said, "Sometimes i think it started a long, long time ago." "You might have mentioned it." "I didn't want to encourage it," she said, "I thought it was a bad idea.
People think "The Office" was improvised, but it's all on the page. We do that because what we found is that in the early days of "The Office," we went in with it sort of 80 percent scripted and we did some things and then we improv'd and we did - you know, and it gets a laugh on the floor because it's the first time they've heard it.
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