A Quote by Julius Randle

LeBron had a pretty bad draft suit. — © Julius Randle
LeBron had a pretty bad draft suit.
If you had first pick in the all-free agent NBA draft, you'd take LeBron James.
I see myself as a first-draft writer, so when I sit down to write something, the first draft is usually pretty close to the end draft.
I see myself as a first-draft writer, so when I sit down to write something, the first draft is usually pretty close to the end draft. There will be some tweaks along the way, but it's not like I'll go 20 pages and throw it out and start again.
I'm definitely not the caliber player that LeBron is, but I find it funny how people can criticize him and the way he plays the game. So it's pretty easy to criticize me if they are still able to criticize LeBron.
I had this bad habit of not writing out a first draft and going back. For me it was the first sentence, then the second sentence, and I might be several weeks on the first page instead of writing a draft and trying to figure it out from there.
I'm like LeBron, man. I'm like a smaller LeBron. That's why I'm not in the NBA. If I had about five, six more inches, I'd be in the league.
First thing I said to him was, 'LeBron, you know this is true. We had five good years and one bad night'. Like a marriage that's good, and then one bad thing happens, and you never talk to each other again.
The first suit I enjoyed was a Dior suit that I got given. I've never worn anything that fitted that closely - it was akin to 'Oh my God, I had no idea that a suit didn't have to be this wide.' But I do intend to get one made some day.
With TV, your first draft just doesn't matter. It's a skeleton, and then there's draft after draft after draft, and so many other factors influence it. It's just a whole different kind of storytelling.
One of the reasons why I had such a horrible draft is that I hosted an eight-hour pool party before the draft. and so I wasn't quite in my perfect drafting form.
First draft: let it run. Turn all the knobs up to 11. Second draft: hell. Cut it down and cut it into shape. Third draft: comb its nose and blow its hair. I usually find that most of the book will have handed itself to me on that first draft.
As soon as I had the opportunity to wear a suit, I took it, like when I was at sixth form and had to dress smartly, I couldn't wait to get a suit on. I've always loved dressing up.
Almost all good writing begins with terrible first efforts. You need to start somewhere. Start by getting something-anything-down on paper. A friend of mine says that the first draft is the down draft-you just get it down. The second draft is the up draft-you fix it up. You try to say what you have to say more accurately. And the third draft is the dental draft, where you check every tooth, to see if it's loose or cramped or decayed, or even, God help us, healthy.
We had 10 turnovers tonight. Each one gets worse as you go. It is like prior arrests: the 10th one may not have been that bad, but when you have had nine prior ones, it looks pretty bad.
I loved something I made up, something that's just as dead as Melly is. I made a pretty suit of clothes and fell in love with it. And when Ashley came riding along, so handsome, so different, I put that suit on him and made him wear it whether it fitted him or not. And I wouldn't see what he really was. I kept on loving the pretty clothes—and not him at all.
It can take years. With the first draft, I just write everything. With the second draft, it becomes so depressing for me, because I realize that I was fooled into thinking I'd written the story. I hadn't-I had just typed for a long time. So then I have to carve out a story from the 25 or so pages. It's in there somewhere-but I have to find it. I'll then write a third, fourth, and fifth draft, and so on.
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