A Quote by June Brown

I got a grant for the Old Vic Theatre School in London, which had just started. It was only five terms; they used to break you down and never quite put you together again but it was an excellent training.
I stayed a year in the sixth form and there was talk of Cambridge, but I wanted to go to drama school. At 17 and three months I went to the Old Vic School in London. This most remarkable and brilliant drama school lasted only six years because the Old Vic Theatre hadn't the money to go on funding it.
I loved English at school and realised I would enjoy studying plays. I got into Royal Holloway. They had a little studio theatre where we put on plays, and that's what I realised I wanted to do. So from there, I went to the Old Vic theatre school to learn how to do it properly.
I'd love to do more theatre and acting. I attended a performing arts high school in London, and it would be great to be able to put all of that training to use again.
I had to leave school at 14 because my father got injured in the mines and I had to support my family. I was an undertaker's assistant, then a plasterer, before doing my military service in the RAF. All the while, I was doing amateur dramatics and dreaming of getting a scholarship to the Bristol Old Vic Theatre School.
I had to leave school at 14 because my father got injured in the mines and I had to support my family. I was an undertakers assistant, then a plasterer, before doing my military service in the RAF. All the while, I was doing amateur dramatics and dreaming of getting a scholarship to the Bristol Old Vic Theatre School.
I studied at the Bristol Old Vic Theatre School, which was founded by Laurence Olivier and has alumni like Jeremy Irons and Daniel Day Lewis. It's a very erudite institution; its ethos, really, was always theatre-based.
I played Thersites and I remember we were also doing some places out of town before starting our run at The Old Vic in London and we were at the Yvonne Arnaud Theatre in Guildford and I walked on stage and I've got an opening speech that begins: "Agamemnon, how if he had boils?" And I went on and said: "Agamemnon..." And a woman in the front row just went 'tut'. I thought: "I've only done four syllables, give us a chance!" I got one word out and the audience were already tutting. It was worse than any heckle I ever had doing comedy. So, I'll stick to gnomes.
You should have felt the buzz the moment all five of us got together in the same room for the first time again. We all started laughin'—it was like the five years had never passed. We knew we'd made the right move.
I went to theatre school for four years and just wanted to do theatre. I had no ambition to be on TV or to be on camera. I just wanted to go to New York or London and be on stage... I did a lot of theatre in Montreal, got involved in TV in Toronto and then moved to L.A. I hope that film and TV will take me back to theatre.
I had done some acting at school, but I wasn't particularly good at it. What inspired me was going to the Old Vic in the late 1960s and early 1970s, when the National Theatre was based there.
I used to play rugby, polo, tennis, and cricket in school. It was only in the 1990s, when I used to live just opposite Harrods in London, that I started putting on weight. I used to have my breakfast there every day.
I did work a lot in Scots theatre, but I was never really successful in Scottish film or TV until I went down to London - and I had to go to the U.S. to get my big break.
I came to theatre as a teenager by going to the National Theatre when it was at the Old Vic and sitting on padded seats in the gallery for 15 pence, which was the price of a bus fare.
As a kid, I was growing up in an era of celebration of the Civil War centennial, with a lot of 'Lost Cause' emphasis on the Confederacy. I used to play Civil War soldiers with my brothers as a child, and my older brother always insisted that he got to be Lee, and I got be Grant. I never knew that Grant won until quite some time had passed.
My sister happened to look at The Times, and there was advertised the Old Vic theatre school. I wrote, I suppose, and got an audition. They said I was in, so I burst into tears, because in those days I cried when I was happy and I cried when I was sad.
When I had started commuting into London for theatre school, I'd had to sell my uncle's stamp collection for £300.
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