A Quote by June Diane Raphael
I don't know where it's come from, but after many years of many different products, I feel like I can speak as an authority on a lot of them.
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I feel like my music has so many different things going on. I've always worked with many different producers. And a lot of times, each of them has a different thing that I really love about what they do.
I'll always miss Mad Men, of course, but it is interesting to finally answer different questions after nine years. Not that that's a criticism to anyone, but just simply as a character for nine years, you're going to get a lot of the same questions for many, many, many years. This is sort of refreshing.
I feel more like a creative artist using photography because there's - the digital work is so interesting now. It's come to that. I have had many different stages of photography - there are many different ways to take photos. But I feel now I'm in that stage of my life where I use the camera, you know, in that way.
When I speak, I don't speak for myself; I don't have the luxury of a Caucasian to be able to speak for myself. I speak for a whole community, and I represent so many different communities that that felt like a lot of pressure.
I have so many different role models who have taught me so many different things at so many different points in my life, it doesn't feel like I have one person that I have to live up to.
It's really hard to design products by focus groups. A lot of times, people don't know what they want until you show it to them. As Henry Ford said many years earlier: "If I had listened to my customers, I would have built a faster horse." Inventions in general express Shannon entropy. They come from the supply side.
Many people I know - writers, poets - they have all been sentenced not once but sometimes three times after they come out. They serve five or six years, come out another time, and then nine years. Come out again, 12 years. Only because they have a different opinion. They are innocent people, they have beautiful minds, beautiful hearts.
I feel really comfortable when the camera is rolling. I feel less comfortable in the moments before and after, like, "Okay, where do I sit now?" I find the social aspect of being on a project ... it's just a lot. There are so many new people, and it's a lot of introducing the most charming, most engaging, funniest version of yourself to, essentially, a bunch of strangers you already know too many details about.
I don't feel I can speak with authority for many other people.
Some of the stuff, I absolutely don't remember recording it, it's been so long. But I do like to try to throw in something a little different for the audience once in a while. Because a lot of these people who come to see have come back many, many times.
If there's one thing that I know how to do, it's talk to actors. From what I have experienced working with so many different directors in so many different things, a lot of them don't really know how to talk to us.
On one hand, I can say, you know, I had many family members - I had many people in my extended family who left right after Katrina, who relocated to different cities, right? Houston, Atlanta. Right? Most of them have come back.
If you had women running the weed market, I think there'd be lots of different products. I know periods. I know how horrible they are, and I know enough people who suffer from them that I really want to speak to them so they can carry something in their pocketbook for relief. Or come home, get in a tub, and soak with something that will actually work.
All we need to do is pay attention to ourselves and pay attention when somebody gives you a compliment based on something that you do naturally. Then that lets you know that that's your talent. I mean, talents come in so many different sizes, so many different colors, so many different ways.
Reading is difficult. People just aren't meant to read anymore. We're in a post-literate age. You know, a visual age. How many years after the fall of Rome did it take for a Dante to appear? Many, many years.
There are just so many different types of people that come into my studio, and secondarily, there's the idea of ideation, like, "Who are you and what do you see in yourself in this other person?" So many different people that you would see so many different things.
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