A Quote by June Jordan
Language is political. That's why you and me, my Brother and Sister, that's why we supposed to choke our natural self into the weird, lying, barbarous, unreal, white speech and writing habits that the schools lay down like holy law.
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The Nation of Islam's main focus was teaching black pride and self-awareness. Why should we keep trying to force ourselves into white restaurants and schools when white people didn't want us? Why not clean up our own neighborhoods and schools instead of trying to move out of them and into white people's neighborhoods?
When I decided to write about my brother and friends, I was attempting to answer the question why. Why did they all die like that? Why so many of them? Why so close together? Why were they all so young? Why, especially, in the kinds of places where we are from? Why would they all die back to back to back to back? I feel like I was writing my way towards an answer in the memoir.
In our time, political speech and writing are largely the defense of the indefensible... Thus, political language has to consist largely of euphemism, question-begging, and sheer cloudy vagueness... Political language [is] designed to make lies sound truthful and murder respectable.
It is cheering to note that [Martin] Luther (1524) did not see why schools should not be fun as well: "Now since the young must leap and jump, or have something to do, because they have a natural desire for it which should not be restrained (for it is not well to check them in everything) why should we not provide for them such schools, and lay before them such studies?
If writing is language and language is desire and longing and suffering . . . then why when we write, when we make shapes on paper, why then does it so often look like the traditional, straight models, why does our longing look for example like John Updike's longing?
How do we refresh our language? Why do we still use, like, a 150-year-old classification system to talk about people? It's so weird! We still call people black and white?
I'm not saying we are not to be held accountable. What I'm saying is that we need to appreciate past, if you don't appreciate past, you cannot understand why we are like this, why the churches and mosques are controlling our society, why Africans feel inferior. Why are our girls bleaching or make long hair? They all want to be white, Why are they not proud? Why are we not proud of name, of our clothes?
Do you know why the big brother is born first? It’s to protect the little brothers and sisters that come after him. A brother telling his sister, "I’ll kill you"... You never, ever say something like that.
We all choke, and the man who says he doesn't choke is lying like hell.
I remember my dad asking me one time, and it's something that has always stuck with me: 'Why not you, Russ?' You know, why not me? Why not me in the Super Bowl? So in speaking to our football team earlier in the year, I said, 'Why not us? Why can't we be there?'
Let’s be honest. Who here thinks your professors can say what they really believe? It scares me to death, and should scare you too, that the superstition of political correctness rules the halls of reason. What does all of this mean? It means that telling us what to think has evolved into telling us what to say, so telling us what to do can’t be far behind. Before you claim to be a champion of free thought, tell me: Why did political correctness originate on America’s campuses? And why do you continue to tolerate it? Why do you, who’re supposed to debate ideas, surrender to their suppression?
I was perpetually grief-stricken when I finished a book, and would slide down from my sitting position on the bed, put my cheek on the pillow and sigh for a long time. It seemed there would never be another book. It was all over, the book was dead. It lay in its bent cover by my hand. What was the use? Why bother dragging the weight of my small body down to dinner? Why move? Why breathe? The book had left me, and there was no reason to go on.
There was a great strain in our family because my father didn't want anything to do with me. He was happy to see my brother and sister, but not me. I don't know why. Maybe it was shame. I don't know. But he never wanted anything to do with me. That rejection was terribly hurtful and it went on for years.
People ask me, 'Why angels? Why paranormal? Why teens?' In the beginning, I'm not sure I knew I was starting down any of those twisted paths - paths that now seem so familiar to me that they are downright comforting. In the beginning, I was just writing about love.
In our time, political speech and writing are largely the defense of the indefensible. Things like the continuance of British rule in India, the Russian purges and deportations, the dropping of the atom bombs on Japan, can indeed be defended, but only by arguments which are too brutal for most people to face, and which do not square with the professed aims of the political parties. Thus political language has to consist largely of euphemism, question-begging and sheer cloudy vagueness.
There are many ways of writing badly about painting... There is an 'appreciative' language of threadbare, not inaccurate, but overexposed and irritating words... the language of the schools which 'situates' works and artists in schools and movements... novelists and poets [that] see paintings as allegories of writing.
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