A Quote by June Squibb

I had three influential teachers. The first was Uta Hagen. The second two, Bobby Lewis and my late husband, Charles Kakatsakis, were both from the Actors Studio. — © June Squibb
I had three influential teachers. The first was Uta Hagen. The second two, Bobby Lewis and my late husband, Charles Kakatsakis, were both from the Actors Studio.
After Fergie and Prince Andrew honeymooned at Le Touessrok in Mauritius, Bobby, my late husband, and I were first to stay in their suite. We enjoyed the benefits - all the spoils and the special luxuries. We practically had our own private beach, and it was most romantic.
Sport was an integral part of school life. The most influential teachers were not necessarily the PE teachers, but the teachers who helped me in sport because they had an understanding of what you were going through.
I was fired from my first job in New York. I was just out of school, doing the Welsh play, 'The Corn Is Green,' at Equity Library Theater. I was studying with Uta Hagen, and I was really working well, but they got nervous. They wanted results right away. We had a run-through, and I wasn't there yet, so they fired me.
Yoga is a product of Eastern thought. A further complication is that the early Yoga teachers were both Indian and Hindu. So from the late 1800's and early 1900's the Yoga teachers who came across were as interested in Hinduism as in Yoga. Often what we were being taught was a mixture of two different systems.
Uta Hagen is our greatest living actor; she is, moreover, interested and mystified by the presence of talent and its workings; her third gift is a passion to communicate the mysteries of the craft to which she has given her life. There are almost no American actors uninfluenced by her.
It was really executed well, from the art direction to the wardrobe to everyone else. And I have to say, two really exceptional directors who did three each. Roxann [Dawson] did the first three and Jeremy [Webb] did the second three. And I think they really were very meticulous in getting the right tone because it is both. It isn't dour and it isn't grim, but it's not a romp either. It's truthful and it has room for both of those things.
The reason the first three Star Wars movies were so terrific, and the second three sucked so bad, is actually very simple. The first three were about rebels, shooting guns and driving fast, and speaking with American accents. The second three were about politicians, discussing treaties and holding court, and speaking with British accents.
There were a whole lot, I bought every blues record I could find, it wasn't just one or two people. My vocal influences were Ray Charles and Bobby Blue Bland.
Uta Hagen would say, there's the representational actor and the presentational actor.
If I were travelling with two partners, one virtuous and one dishonest, both would be useful as teachers. I would perceive what's good of the first one and I would imitate him whereas I would try to correct in me the defects I may see in the second one.
In 1954 I was on Broadway for five months in 'The Matchmaker' and went once a week to the classes of Uta Hagen, a theatrical guru whose teaching in retrospect illuminated the whole of my training at the Old Vic.
I have three older brothers, and we all have different combinations of parents. My father was the best man at my mom's first wedding! And my brother's mother - my dad's first wife - is the sister to my mom's first husband's second wife. So my brothers are both stepcousins and stepbrothers. It's very '70s rock.
I grew up in a town where there were no adults over forty who weren't somebody's parents. It was, unfortunately, the kind of town that's a "great places to raise kids" - that's basically code for "there are no adults here who are not parents." I had a few teachers who were kind of weirdo drama teachers and were hugely influential.
I have three favorite politicians: Reagan, Truman, and Bobby Kennedy - Bobby for showing remarkable political courage despite being loathed by many on both sides.
My husband's parents were both English teachers for decades.
We had a nightmare on our first album, and went through two producers. I decided, on the second album, to take the money that we were supposed to use for pre-production, and we went into a studio and cut the album with no producer. We finished the whole thing without telling the record company.
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