A Quote by June Squibb

To make money in New York, you have to add gigs when starting out, so while I was acting quite a bit, I would do modeling. — © June Squibb
To make money in New York, you have to add gigs when starting out, so while I was acting quite a bit, I would do modeling.
When I got started in New York, it wasn't like it is now. If you were different from Miles and Dizzy, it was very difficult to make gigs and make money with your own style.
When I was 17, my mum thought it would be a good idea to compete in a modeling television show. It was hard for me to book jobs in Australia at this time, being that my look was so different. Even though I didn't win, I was given a modeling contract with New York Models, so I flew to New York as soon as the show was finished.
I've been back in New York a year and a half now. Before that I was on the West Coast for five years. There's no comparison between the two. You hear things in New York you don't hear anywhere else. Unless these guys go out. Quite a few make it out to the Coast. Of course, you can't stay in New York for ever. You have to move.
I had to figure out how to survive in New York, and most of my time was occupied in getting an apartment and getting money. A lot of older jazz guys looked out for me and found me gigs and places to stay.
You know one of the things about going from modeling to acting is it's so much more fulfilling. With modeling, you get your picture taken, which is great, good for you, you know? But in acting, you're able to reach in and show a little bit more of yourself.
I could count my modeling jobs on my hands and toes. When I graduated from college, I moved to New York specifically to study acting, and I needed to pay the bills, and it's better to make a couple thousand dollars in one day than to wait tables six days a week.
I used to audition for 'NYPD Blue' quite a bit, so I had this stock New York detective character that I would bring in for all their auditions.
I was 26 when I went to my first acting class. I'm naturally quite shy. I'm a quite private person. There's this really strange acting class in New York called Black Nexxus. For someone who's slightly shy or self-conscious, it's the most frightening thing you can do.
I had worked in this New York theatre company for my first eight or nine years out of college, acting and directing there, and I'd begun to write a little bit.
I went to the University of Georgia for a year before I left, and then I went to live with Eileen Ford in New York for the modeling agency. I thank god I could do that because all the other kids were getting jobs doing other things, and when I got to New York, I was very blessed. I didn't have to stop and be a waitress. I started making money at a very young age and was just very lucky.
New York, you got money on your mind. And my words won't make a dime's worth a difference, so here's to you New York.
I didn't expect to pursue acting at all, let alone TV and film, let alone New York or L.A. I was quite content doing Shakespeare out in Wisconsin.
I had a place to go to university; I was going to study history. I was in New York doing 'Arcadia,' and I suddenly thought, 'It feels a bit weird to go from a New York stage to Manchester University.' It didn't quite feel right.
I was modeling since I was four and acting in commercials since I was five- this was when I was in New York. I then moved to LA when I was 16…but before that I had done a play on Broadway.
I was modeling since I was four and acting in commercials since I was five - this was when I was in New York. I then moved to LA when I was 16... but before that I had done a play on Broadway.
With acting, if you audition terribly, at least you know, 'I messed that up. I was horrible. That's why I didn't get the job.' With modeling, it's like, 'I'm not cool this year; therefore, I'm unemployed for a while.' With modeling, it's just, either you're liked, or you're not.
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