A Quote by June Whitfield
I'm always up for cinema, and then you hear that, actually, the location is in a very cold place with all the attendant discomforts, and TV is much cosier and warmer.
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For example, if I make money, I put it in real estate. I always did very well. Location, location, location.
I did some feature work, then tried TV. I was always very aware that the only power that you have is the power of options. If the film industry dries up, then you focus on the TV or the books. For me, it was always about what story do I want to tell next?
In England, rain was thin and cold, and made you hunch up inside your coat, walking home from the bus stop. In Jamaica, it was wide and thick and invited you to step into it, and see how wet you could get, and be thrilled that it was warmer than the sea and warmer than your skin; it was abandon.
The tea is ice-cold, the room grows colder and colder, but I grow warmer and warmer.
Realism is always subjective in film. There's no such thing as cinema verite. The only true cinema verite would be what Andy Warhol did with his film about the Empire State Building - eight hours or so from one angle, and even then it's not really cinema verite, because you aren't actually there.
For me, cinema is very important. I grew up with television; then, as a teenager, you discover cinema.
I try to come to my reporting as a real, whole person, not an automaton. And it's always one of the strange discomforts of the job, that you're in this very intense moment in someone's life - you're engaging with them nonstop - and then suddenly your piece is out and that's done. It always reminds me that the journalist's job isn't to be someone's friend, or their psychologist, or anything other than what we actually are. And at the end of the day, that can definitely seem like such a strange, extractive relationship.
A place (lieu) is the order (of whatever kind) in accord with which elements are distributed in relationships of coexistence. It thus excludes the possibility of two thing being in the same location (place). The law of the 'proper' rules in the place: the elements taken into consideration are beside one another, each situated in its own 'proper' and distinct location, a location it defines. A place is thus an instantaneous configuration of positions. It implies an indication of stability.
Any cinema has to be entertaining. Boring cinema won't work. If you want to make one, then screen it for free on TV.
I did always want to write. And then, when I left New York, where I was working very steadily in the theater - I had done three Broadway shows in a row and was a bit burnt out - I moved out to L.A. and I was not working very much. I came in cold and I'd work for a week, but then I'd have a month or two off. I thought, "I'm going to go crazy unless I actually do write." Like a lot of things in life, it was a situation that came about by circumstances.
I went to a place recently I think is one of the most f**ked up places I've ever been to. I'm convinced this place is the epitome of American excess, of American greed. I'm talking about a place called Cold Stone Creamery. Whoa. If you have not been there, the basic gist of Cold Stone is that they take ice cream and then they just go ape sh*t with it.
The world is a very troubled, very chaotic place. It's a very cold place. It's a very unjust and unfair place in many ways. [As a moviemaker] I have very limited ability to have an impact over all that.
'Cold Case' was fun. It was a fun experience. That was right when I was cutting my teeth as a TV actor. It was a great learning experience to work on really fast-paced television shows that are very high quality. It was a place where I learned that I had to keep up and I could keep up.
French cinema has always been very interesting, and it's still very powerful. I think it goes to show that it's great to still have a cinema that doesn't try to emulate, for example, American cinema.
What drives the attractiveness of a trans-shipment hub are really three things. Location, location, location is very helpful. But so is productivity - a stable labor force and getting ships in and out as quickly as possible. And then, getting costs as low as possible will drive carrier behavior.
Be it cinema or TV, I have always been interested in taking up challenging projects.
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