A Quote by Jung Chang

I was not allowed to take notes but my friend and I memorised those two and a half pages. Most people talked to me because of the warning. They knew this book was not going to be the official line.
Hazel had read enough books to know that a line like this one is the line down which your life breaks in two. And you have to think very carefully about whether you want to cross it, because once you do it’s very hard to get back to the world you left behind. And sometimes you break a barrier that no one knew existed, and then everything you knew before crossing the line is gone. But sometimes you have a friend to rescue. And so you take a deep breath and then step over the line and into the darkness ahead.
The closest thing to an outline is, because my memory is so bad now, if something occurs to me that I think might be important or pivotal, a lot of times I'll scribble notes down somewhere until I can get back to the book. Of course half the time I look at those notes the next morning and think, "What was that about?"
Jews allow to steal lands from Palestinians, only because they are Jews, and those are Palestinian. I want to repeat it, because people here in America don't believe it. We have a new law that settlers allowed to steal private lands of Arabs and take it to Jews. This is an official law. And now they're going to ban everyone who criticize a pure apartheid law. So, in a way, it's horrific. It's only everyone who stand for civil right in the minimum level - liberals, not radical - is not allowed to Israel.
When half of the people get the idea that they do not have to work because the other half is going to take care of them, and when the other half gets the idea that it does no good to work, because somebody else is going to get what they work for, that my dear friend, is the beginning of the end of any nation
Friend, you cannot legislate the poor into freedom by legislating the wealthy out of freedom. And what one person receives without working for, another person must work for without receiving. The government can't give to anybody anything that the government does not first take from somebody. And when half of the people get the idea they don't have to work because the other half's going to take care of them, and when the other half get the idea it does no good to work because somebody's going to get what I work for. That, dear friend, is about the end of any nation.
The worst letters come from retired high school English teachers. They will literally take a book and pick it to pieces and send me 14 pages of notes.
If you take a book of a thousand pages on the Second World War, in which 50 million people died, the concentration camps occupy two pages and the gas chambers ten or 15 lines, and that's what one calls a detail.
There is a difference between a book of two hundred pages from the very beginning, and a book of two hundred pages which is the result of an original eight hundred pages. The six hundred are there. Only you don't see them.
A friend of mine who writes history books said to me that he thought that the two creatures most to be pitied were the spider and the novelist - their lives hanging by a thread spun out of their own guts. But in some ways I think writers of fiction are the creatures most to be envied, because who else besides the spider is allowed to take that fragile thread and weave it into a pattern? What a gift of grace to be able to take the chaos from within and from it to create some semblance of order.
When I start a book, I write a minimum of five pages every day, except weekends. If I'm going on a ski trip, I take my computer with me, get up at six, do my five pages, and then go skiing.
My boyfriend suggested I write two pages a day. He wouldn't take me out if I hadn't done my two pages. That's how I wrote my second novel.
I have a lot of friends and family that have suffered because of the church's judgment; my best friend in the world is gay. I felt a lot of people around me drawing lines in the sand, and that year I decided: I don't want to draw lines and have to be on one side or the other, but if someone's going to push me to one or the other side of the line, I'm going to stand on the side of those being judged because that's where I feel Jesus meets people.
You get notes from two studios and a network instead of a studio and a network. Although we early on forced them all to do their notes together. I make them all talk to each other first. Because we went through the pains of getting notes from ABC and at the time it was Touchstone, that were opposite - and then CBS notes that were opposite again. So it was, you guys are going to have to work it out as to what is the most important note.
The official name of the project is 'Jewish Museum' but I have named it 'Between the Lines' because for me it is about two lines of thinking, organization and relationship. One is a straight line, but broken into many fragments, the other is a tortuous line, but continuing indefinitely.
When I'm writing, I try not to think things like, 'Gosh, I have to finish writing this book.' Books are very long and it's easy to get discouraged. Instead I think to myself, 'Wow, I have this great story idea, and today I'm going to write two pages of it. That's all - just two pages.'
I wrote a lot of stuff quickly: pages and pages of notes that seemed pretty incoherent at first. Most of it was taken from the radio because -suddenly being a parent- I'd be confronted by the radio giving a news report every hour of the day.
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