A Quote by Juno Temple
I hadn't really even been thinking about TV. To me, it seemed like such a commitment, almost like a marriage.
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People told me it was a mistake to marry so young but you can't go into a marriage thinking that because the divorce statistics are so high your marriage won't last. You have to work at it day by day. Though certainly marriage isn't a final, heavy commitment, like signing your life away. It's the type of thing you can always get out of.
The funny thing about 'Take Shelter' is that a lot of people talk about how it was allegory for the economy and things that were to happen. And that was so on the nose in the movie for me. I was like, 'That's obvious.' It's the other stuff about marriage and commitment and those other things that I spent the most time thinking about.
You could have fooled me. Everytime I called you, Luke said you were sick. I figured you were avoiding me. Again." "I wasn't. I did want to talk to you. I've been thinking about you all the time." "I've been thinking about you, too." "I really was sick. I swear. I almost died back there on the ship, you know." "I know. Everytime you almost die, I almost die myself.
When I first went on TV, to make you look like a successful woman you had to be ball-breaking. I remember looking at these shows and thinking 'I'm not sure that's me'. It seemed like you had to behave like a man - but I think that's all going to go down completely, that's not the way we're going to live.
I remember thinking all TV was black and white, but that was because we had a really old, broken TV. And then I went to a friend's house and I was like, woah, your TV is like, crazy! Teenage Mutant Ninja Turtles. That was my first show.
Even during my career, when I read all those great things about me, it's almost like I was reading about someone else. It's almost like there was another person.
I don't see the point in marriage: if you make a commitment, you make a commitment. Fidelity is important to me; it's about honouring that commitment.
My favorite movies are movies from the '70s, like 'Midnight Cowboy' and 'Dog Day Afternoon' and 'One Flew Over the Cuckoo's Nest,' and to me, 'Hereditary' seemed like it fit in with those movies, and it was just horrifying. It seemed like it took the things that I love about movies and really fleshed out characters.
I've been singing for a really long time and I love a lot of genres, but country just seemed like the best fit. The people in that genre are just so nice and welcoming. And that seemed so appealing. Also my voice fit it and seemed like the way to go.
I grew up in Southern California, and I particularly did not fit in. I always felt like a fish out of water in my hometown because everyone was very happy, and I was thinking about death and anxiety, and not many other people around me seemed to be thinking about that.
As much as I moved to New York and tried to work in theater as much as I could - I developed a relationship with Circle Rep - make no mistake about it, I really, really wanted to be in a film. It seemed like almost everyone I knew at least did something in a movie, except me.
I watch like, Steve Jobs interviews, I don't really watch TV. I stopped watching TV when I turned like ten because my parents were like, 'TV's really bad for you.'
All I knew about the word cyberspace when I coined it, was that it seemed like an effective buzzword. It seemed evocative and essentially meaningless. It was suggestive of something, but had no real semantic meaning, even for me, as I saw it emerge on the page.
Painting is almost like a sport. It's like this action thing. When I do it, I'm really not thinking. The paintings are like a diary that I might not want to read again.
I'm really, really short. And when I'm on TV, it looks like I'm tall, but I'm really not. I think I'm like just over 5-foot, or not even. Yeah, I'm really small.
I think Liberty students ought to date a lot without commitment in mind. If you're thinking commitment - and you probably shouldn't until you're a senior - you don't want to start your marriage off under the constraints of poverty and schooling.
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