A Quote by Junot Diaz
If you're a status quo writer, you're considered to not be political but that's as political as if you're a progressive writer. Some politics are asked to show their passports and others aren't. In the Dominican Republique, if you're slightly progressive, people have a lot of suspicions that you're up to some sort of conspiracy, that this is some sort of plot. On the other hand, if you're conservative and mainstream, people tend to take that as a given and don't notice the politics.
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I know that Bush, for political reasons, is going to nominate a minority, a Hispanic man or someone where it will be harder for people on the progressive side to oppose and split some of the traditionally progressive or democratic constituents.
Districts are really different across the country, but the more that people on the progressive Left show power at the ballot box - and reclassify some of the ideas that we've called 'progressive,' but that are really mainstream ideas, like college for all - the better.
All films are political, whether they mean to be or not. Star Wars is political. As soon as you have conflict, which is the key to most films, you have politics. It's just that some are more artful with the handling of politics than others.
I'd say it's okay to be political and to be a writer. Those streams can be separate, and they can be connected; for me, they're both. Life is political, and I'm interested in my community and in a lot of issues - some of them American, some global.
I think, then, there's the sort of, like, political dimension to lyrics. One of the problems that I've had with my output as a lyric writer is that I look back at it and there's some turn-of-phrases and some images and some kind of montage-y kinds of things I'm really proud of. But it kind of bums me out that people have told me again and again that they don't really understand what I'm trying to say.
People always like to have a good time and laugh, and, [among] the vast majority of the seven billion people on this earth, one thing that we all have in common is at some point we all need to pair up and find some sort of significant other, some sort of romantic counterpart.
Like any young person who gets into a political campaign, I joined out of a highfalutin' desire to change the world. But you start to see the sort of tactics people use. You start to see politics not only in the macro but in the micro of the campaign itself. Some people get turned off by this side of it. Other people are drawn to it.
I can't define myself as a political writer - I don't think I've earned it, and I don't function as a political writer in the way that many of the writers I admire do. It's not simply a question of context, of where I'm writing from - there is much in American society that urgently needs to be written about. I think your work is always engaged with politics in the looser sense of the word - and that looseness is itself a kind of privilege - because politics and culture are evidently intertwined.
Many novelists say, "I'm not a political novelist" - myself included. That's a standard, even a default position. Whereas that divide between art and politics simply isn't possible in many countries. In Hungary, you couldn't be a fiction writer and then, when asked about politics, put your hands up in the air and say "But I'm not a political novelist." If you're a Chinese novelist, a novelist in a country where censorship is such an issue, how do you claim that politics has nothing to do with your writing? It's in your writing, it's shaping your words.
Things need to be properly named. Political confusion starts with terminology confusion. Islamism implies some sort of political and social plan for Muslim people. In that classification, we find different categories. Legalist ones, traditional ones and revolutionary ones. Some of them are revolutionary but are non-violent, others are extremely violent. There are also the ones we call the literalists, like the Egyptian party Hizb al-Nour that used to be against democracy and now is getting into the political game.
To be an Indian writer is to write, necessarily and inevitably, about politics, so it was a given that the story of the Ghoshes, the family at the centre of 'The Lives of Others,' should have a political soul.
Islamism implies some sort of political and social plan for Muslim people. In that classification, we find different categories. Legalist ones, traditional ones and revolutionary ones. Some of them are revolutionary but are non-violent, others are extremely violent. There are also the ones we call the literalists, like the Egyptian party Hizb al-Nour that used to be against democracy and now is getting into the political game.
With an abusive political relationship, with a political party that's throwing you under the bus, sister, I'm sorry to say but you don't have a future in this political party. You know, what they did to Bernie Sanders is what they have done to every progressive candidate and every real progressive movement within the party. They allow it to show its face and then they use the kill switch.
Some people call me a moderate, some people call me a progressive. In truth, what I've worked on in the Congress and always - going to presidential campaigns - are these big, bold progressive ideas.
I'm conservative on some issues, and I'm progressive on others.
People who live in states have as a rule never experienced the state of nature and vice-versa, and have no practical possibility of moving from the one to the other ... On what grounds, then, do people form hypotheses about the relative merits of state and state of nature? ... My contention here is that preferences for political arrangements of society are to a large extent produced by these very arrangements, so that political institutions are either addictive like some drugs, or allergy-inducing like some others, or both, for they may be one thing for some people and the other for others.
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