A Quote by Junot Diaz

The Prisoner's Wife echoes Edwidge Danticat's Farming of the Bones in the urgency in which it reminds us of the possibility of love even amidst the ruins. This is a terrifying, heart-breaking and, ultimately, important book.
Edwidge Danticat's prose has a Chekhovian simplicity--an ability to state the most urgent truths in a measured and patiently plain style that gathers a luminous energy as it moves inexorably forward. In this book she makes a strong case that art, for immigrants from countries where human rights and even survival are often in jeopardy, must be a vocation to witness if it is not to be an idle luxury.
Living men are bound by time... Thus, their lives have an urgency. This gives them ambition. Makes them choose those things that are most important, cling more tightly to that which they hold dear. Their lives have seasons, and rites of passage, and consequences. And ultimately, an end. But what of a life with no urgency? What then of ambition? What then of love?
Sometimes one makes a distinction between urgency and importance. And while disasters are urgent, the basically most important thing is education. And that's what gives it ultimately urgency too, because unless you do it now, this important thing gets again and again postponed.
Women have an important role in agriculture. We need to introduce technology, which will help us harness the potential of women in agriculture. We need to divide the agriculture sector into three parts- regular farming, farming of trees and animal husbandry. If we are able to do this, the contribution of our women will increase even more.
Romantic love can be terrifying. We experience another human being as enormously important to us. So there is surrender - not a surrender to the other person so much as to our feeling for the other person. What is the obstacle? The possibility of loss.
Romantic love can be terrifying. We experience another human being as enormously important to us. So there is surrender -not a surrender to the other person so much as to our feeling for the other person. What is the obstacle? The possibility of loss.
I'm just tired of everything…even of the echoes. There is nothing in my life but echoes…echoes of lost hopes and dreams and joys. They're beautiful and mocking.
Of course, I prefer organic farming to chemical-dependent farming, but sometimes absolutist organic prescriptions go too far. I don't even rule out the possibility of genetic modification generating some benign ideas, as long as we can keep them away from monopolists such as Monsanto.
There can be no love so long as there is lust- even a speck of it, as it were, in the heart. None but men of great renunciation, none but mighty giants among men, have a right to that Love Divine. If that highest ideal of love is held out to the masses, it will indirectly tend to stimulate its worldly which dominates the heart of man- for, meditating on love to God by thinking of oneself as His wife or beloved, one would very likely be thinking most of the time of one's own wife- the result is too obvious to point out.
My heart right now is totally connected to a book called The Servant of the Bones, which is not in any way connected with vampires or witches. It's about a new hero, a ghost, who really doesn't particularly like the job that he's been given. I'm in love with this hero and in love with his dilemma.
With Salvage the Bones, Jesmyn Ward has written the best sort of novel-a beautiful, important book that's both unflinching and tender, heartbreaking and triumphant. A lyrical and riveting testament to the strength of the human spirit, as well as the power of family and community. Ward's paragraphs are like songs, lifting us even as the authenticity of this world and these characters keeps the ground in clear sight. This is an extraordinary book by an extraordinary writer.
I've seen everything from 'Wicked' to 'The Book Of Mormon,' and I don't make any bones of the fact that I love both. But 'Les Mis' is not only my favorite musical, but it's also my favorite story. I love the book, which I read as a kid, and I identified so much with Jean Valjean.
And what, you ask, does writing teach us? First and foremost, it reminds us that we are alive and that it is gift and a privilege, not a right. We must earn life once it has been awarded us. Life asks for rewards back because it has favored us with animation. So while our art cannot, as we wish it could, save us from wars, privation, envy, greed, old age, or death, it can revitalize us amidst it all.
I wrote a book called 'Doll Bones', which was another middle-grade book, and when I was writing it, I needed a place in the U.S. that made bone china. And there are only two places in the U.S. that make bone china. They made it by grinding down actual cow bones. It was a plot point. It was a creepy doll book.
You will want a book which contains not man's thoughts, but God's - not a book that may amuse you, but a book that can save you - not even a book that can instruct you, but a book on which you can venture an eternity - not only a book which can give relief to your spirit, but redemption to your soul - a book which contains salvation, and conveys it to you, one which shall at once be the Saviour's book and the sinner's.
But perhaps this is all to the good. Perhaps it’s best to live with the possibility that around any corner, at any time, may come the person who reminds you of your own capacity to surprise yourself, to put at risk everything that’s dear to you. Who reminds you of the distances we have to bridge to begin to know anything about one another. Who reminds you that what seems to be—even about yourself—may not be. That like him, you need to be forgiven.
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