A Quote by Junot Diaz
Used to be in the old days, only the pulp writers wrote like machines. Now everybody is expected to be literary John Henrys. So in that context someone like me is an anomaly.
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He was addicted to me and now he has gone cold turkey. He used to send me fifty texts a day. And now he is ignoring me. It's like I was once his Barack Obama. And now I am John McCain, conceding defeat like a sad-face sock puppet, knowing I have sold the best of myself. He, my electorate, not only does not want me, he actively feels pity.
Anomaly is when you don't fit the expected norm. Like "wait what is this?! It doesn't belong here." Its what the system never planned for but now has to adapt to. Its Neo in The Matrix.
It was about 105 degrees in Chicago. And that's a time when everybody gets tired. I came into the clubhouse, and everybody was sitting around, and I said, 'Beautiful day. Let's play two!' And everybody looked at me like I was crazy. There were a couple of writers around, and they wrote that, and it stayed with me.
So violent. You want to mug and tase everybody these days." "I do," Zuzana agreed. "I swear I hate more poeple every day. Everyone annoys me. If I'm like this now, what am I going to be like when I'm old?" "You'll be the mean old biddy who fires a BB gun at kids from her balcony." "Nah. BBs just rile 'em up. More like a crossbow. Or a bazooka.
Marcel Proust shut out visitors from his cork-lined room, where he wrote, but he probably expected to be immortalized in the literary canon. Even the most introverted drives and motives are set in a social context and amplified by the potential for achieving fame.
When I'm getting to know someone, I look for someone who has passions that I respect, like his career. Someone who loves what he does is really attractive. In high school, I used to think it was "like sooooo cool" if a guy had an awesome car. Now none of that matters. These days I look for character and honesty and trust.
Incidentally, I am intrigued by how many European and Latin American writers expressed their political views in the columns they routinely wrote or write in the popular press, like Saramago, Vargas Llosa, and Eco. This strikes me as one way of avoiding opinionated fiction, and allowing your imagination a broader latitude. Similarly, fiction writers from places like India and Pakistan are commonly expected to provide primers to their country's histories and present-day conflicts. But we haven't had that tradition in Anglo-America.
John Farrar, my dear friend and songwriter/producer of most of my hits (he wrote "You're The One That I Want" and "Hopelessly Devoted to You," among others), wrote the song ["I Think You Might Like It"] and it captures so much fun and joy! Having that reunion as well, with John and John - made the project even more special!
I love extended solos. I used to like them in the old days a lot, because it used to give me time to go to the pub for a drink.
At home I don't really have any drum machines or anything like that, I just have a piano and a cassette machine, an old-fashioned one, an old relic which I've always used.
I know what it's like to have someone coming home who looks at you not in the way they used to in the old days, and I've seen my own face contorted with sadness and rage in the mirror.
With the rise of industrialism, words like 'normal' and 'defective,' words that had once only been used to refer to things, began to be used to refer to people. ... In the industrial age, a new degree of uniformity was expected of people. The rhythms and pacing of life could no longer be organic. People became expected to function like things.
I used to be a superhero; no one could touch me, not even myself. You are like a phone booth I somehow stumbled into, and now look at me - I am just like everybody else.
A text makes the word more specific. It really kind of defines it within the context in which it is being used. If it is just taken out of a context and presented as a sort of object, which is what - you know, which is a contemporary art idea, you know. It is like an old surrealist idea or an old cubist idea to take something out of context and put it in a completely different context. And it sort of gives it a different meaning and creates another world, another kind of world in which we enter.
All my big heroes are literary, writers. I'd love to meet Jimmy Hendrix or John Coltrane, but I'd much rather meet Thomas Wolfe, or F. Scott Fitzgerald. Words and books have always meant a lot to me. That someone can take words and string them together to where they will move me is just a hell of a thing. It's amazing to me; more amazing to me than music or painting. It's always been the written word or the spoken word, like a great lecture or a great lyric, or a great poem. To me it's just amazing. And I always aspire toward capturing that, or my version of it.
So many writers don't like to write... I like to write, and sometimes I'm afraid I like it too much, because when I get into work, I don't want to leave it. And as a result, I'll go for days and days and days without leaving my house.
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