A Quote by Junot Diaz

Like most lit nerds, I'm a voracious reader. I never got enough poetry under my belt growing up but I do read it - some of my favorites, Gina Franco and Angela Shaw and Cornelius Eady and Kevin Young, remind me daily that unless the words sing and dance, what's the use of putting them down on paper.
We do have to learn poetry at school. Poetry is interesting to me, particularly Chinese poetry. It's like an ancient form of song. There's five sentences, seven sentences - they're very different from English poetry. Chinese poetry is much more rigorous. You can only use this many words, and they will form some kind of rhythm so people can actually sing it. To me, poetry is quite abstract but also quite beautiful.
As a historically voracious reader - pre-baby, I averaged a book every week or two, and when I was a kid, I'd routinely read a book a day - I never understood how some people could not read. When I heard people say they didn't have time to read, in my head, I simultaneously pitied and ridiculed them: there was always time to read.
While some mothers sing lullabies to their children, my mother read me poetry. And to this day, I associate my strongest and most insistent feelings with words lyrically organized on a page.
The reader reads aloud, with a sing-song up … then down … then down again cadence. My mood shifts from merely reluctant to derisive. It’s a tired reading style. I’m sick of it. It attaches more importance to the words than the words themselves—as they’ve been arranged—could possibly sustain, and it gives poets and poetry a bad name.
If the communication is perfect, the words have life, and that is all there is to good writing, putting down on the paper words which dance and weep and make love and fight and kiss and perform miracles.
A lot of people think they can write poetry, and many do, because they can figure out how to line up the words or make certain sounds rhyme or just imitate the other poets they've read. But this boy, he's the real poet, because when he tries to put on paper what he's seen with his heart, he will believe deep down that there are no good words for it, no words can do it, and at that moment he will have begun to write poetry.
Find something you like, go into a room, close the door and read it aloud. Read it aloud. Everybody in the world who likes dance can see dance, or hear music, or see art, or admire architecture - but everybody in the world uses words who is not a recluse or mute. But the writer has to take these most common things, more common than musical notes or dance positions, a writer has to take some adverbs, and verbs and nouns and ball them up together and make them bounce.
If I never fought for the belt, it wouldn't bother me. That whole song and dance gets tiring, and it's a lot of playing favorites. I've just had it dangled in front of me so many times, I'm just like, whatever, man.
I read hugely as a child, but I slowed up when the print got smaller. I am a very slow reader. I don't know why. Maybe it is like some people chewing their food for ages and some wolfing it down.
Safety was not a big thing when I was growing up. A seat belt was something that got in the way: 'Ma, the seat belt is digging into my back.' 'Stuff it down into the seat. And roll those windows up, you're letting the smoke out'
I never solicited myself as a singer until I realized I could use that to a musical standpoint. I loved musicals growing up. Classic films were some of the only ones I watched. So when the opportunity came for the show to audition, of course it was all of a sudden, "I sing! I sing! Send me in, please. I beg of you."
I never read comics growing up. I didn't have money and I don't like to touch paper.
I like Wallace Stevens, Robert Frost, but some of the older ones it's hard for me to sit down with - when I sit down to read some poetry, I usually read more contemporary stuff.
I've always had something turning in my brain. And it got to a point where I felt it was stupid to let some of the tunes die. So I began putting them down on paper.
In our society we have hard nerds and soft nerds. The hard nerds are the ones who used to have the slide rules at their belt; now they have calculators. The soft nerds are the ones who get violently ill whenever anybody mentions an integral sign.
The kind of true-life writing that is fun to read - that makes an ally of the reader - is the kind that you are so nervous about putting down on paper that you lock the Word file with a secret password and encrypt it - and all of it.
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