A Quote by Junot Diaz

'Oscar Wao' for example cohered in a period of terrible distress. All the novels that I wanted to write were not happening. — © Junot Diaz
'Oscar Wao' for example cohered in a period of terrible distress. All the novels that I wanted to write were not happening.
I write what I want to write. Period. I don't write novels-for-hire using media tie-in characters, I don't write suspense novels or thrillers. I write horror. And if no one wants to buy my books, I'll just keep writing them until they do sell--and get a job at Taco Bell in the meantime.
I always wanted to write novels, even before I had read a lot of novels or had a very good idea of what they were.
I can't imagine otherwise - I guess Virginia Woolf could write wonderful novels where the women never have sex, and her novels work. But for me, I don't think I could write a plot without sex happening somewhere.
The way that I write novels in particular is I don't usually outline; I just write. Part of the fun is discovering what's happening in the story as I'm going along.
I write my novels personally, desperately and non-negligently. When I write my novels, I think about my novels only, and never do other works.
I think there's a false division people sometimes make in describing literary novels, where there are people who write systems novels, or novels of ideas, and there are people who write about emotional things in which the movement is character driven. But no good novels are divisible in that way.
I write about the period 1933-42, and I read books written during those years: books by foreign correspondents of the time, histories of the time written contemporaneously or just afterwards, autobiographies and biographies of people who were there, present-day histories of the period, and novels written during those times.
I had wanted to write English crime novels based on the American hard-boiled style, and for the first two novels about Brixton, the critics didn't actually know I was Irish.
I had a series of terrible jobs, whatever would allow me to write for four hours during the day. During that time I wrote three novels - all of which were extraordinarily poor. I decided after that to go and get my MFA.
I was writing all my childhood. And I wrote two novels when I was 17, which were terrible. And I'm not sorry I threw them out. So, I wrote. I had to write. You know, the thing was, I had no education.
People in my novels always have terrible problems. If they are not terrible, I make them more terrible.
Well, writing was what I wanted to do, it was always what I wanted to do. I had novels to write so I wrote them.
We have been negotiating a lot of different transactions to save money on contracts that were terrible, including airplane contracts that were out of control and late and terrible. Just absolutely catastrophic in terms of what was happening, and we've done some really good work. We're very proud of that.
I went through a period at boarding school when my coaches wanted me to switch to snowboarding because they thought I was no good at skiing. I was too skinny. I had terrible technique. They were saying I should be a snowboarder, and luckily, I resisted.
I know I'm not a wordsmith. And I don't write poetry. Sometimes I think I should, because it's really helpful. But I always wanted to write novels.
My only passions were books and music. As you might guess, I led a lonely life… Not that I knew what I wanted in life - I didn’t. I loved reading novels to distraction, but didn’t write well enough to be a novelist; being an editor or a critic was out, too, since my tastes ran to the extremes. Novels should be for pure personal enjoyment, I decided, not part of your work or study. That’s why I didn’t study literature
This site uses cookies to ensure you get the best experience. More info...
Got it!