A Quote by Junot Diaz
It's extraordinary how many people read a book that's new and weird and befriend it.
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I read everything. I'll read a John Grisham novel, I'll sit and read a whole book of poems by Maya Angelou, or I'll just read some Mary Oliver - this is a book that was given to me for Christmas. No particular genre. And I read in French, and I read in German, and I read in English. I love to see how other people use language.
I doubt if I shall ever have time to read the book again -- there are too many new ones coming out all the time which I want to read. Yet an old book has something for me which no new book can ever have -- for at every reading the memories and atmosphere of other readings come back and I am reading old years as well as an old book.
Say you're an American novelist, published by the largest publishing house in the world. Their goal is to make as much money from you as possible, to have as many people read your book in as many formats as possible. How can you hope to speak intimately to the numbers of people that represent the book sales required?
The millionaire says to a thousand people, 'I read this book and it started me on the road to wealth.' Guess how many go out and get the book? Very few. Isn't that incredible? Why wouldn't everyone get the book?!
As a historically voracious reader - pre-baby, I averaged a book every week or two, and when I was a kid, I'd routinely read a book a day - I never understood how some people could not read. When I heard people say they didn't have time to read, in my head, I simultaneously pitied and ridiculed them: there was always time to read.
No matter how many books you've written, whenever you sit down to write a new book, you always feel the same challenge - how do you shape this story into a book that people are going to love.
Sometimes, you read a book and it fills you with this weird evangelical zeal, and you become convinced that the shattered world will never be put back together unless and until all living humans read the book.
It is axiomatic among writers that no one ever sues the writer of an unsuccessful book. Just let a book go over twenty-five thousand copies and it is surprising how many people's feelings are hurt, how many screwballs think their brain children have been stolen, and how many people feel that they have been portrayed in a manner calculated to bring infamy upon them.
It is our hope that when people read "March" - Book One, Book Two, and Book Three - that they will understand that another generation of people, especially young people, were deeply inspired by the work of Rosa Parks, Martin Luther King Jr. and many others.
It's different to read a book for pleasure than to read it analytically. In the past, I'd read Pride and Prejudice for pleasure. This time, I was really looking at the structure, the order of events, how the characters interact with each other and how the book is paced.
Of his new book, Don says: “It might be the greatest book ever written. I don’t think anybody is going to read a book again after they read my new one. I think God is proud of me. I am going to make a killing off this thing and I’m going to use the money to go to space.
I don't think many people have ever read the report. Who has read 26 volumes of this case? How many read the summary? If you read the summary, it takes a long time.
At that time, I had recently finished a book called Amazing Grace, which many people tell me is a very painful book to read. Well, if it was painful to read, it was also painful to write. I had pains in my chest for two years while I was writing that book.
I re-read The History of White People by Nell Irvin Painter. It's a book every one should read, particularly Americans, as the USA is her primary focus. Her book demonstrates that white is not universal, that white is not neutral, that it has a history, which she eloquently delineates. It's not often you finish a book understanding how the world operates better than before you read it.
Probably a good idea, let me know how it ends" "I already know how it ends" "You read the ending first?" "I always read the ending before I commit to the whole book." "If you know how it ends, why read the book?" "I don't read for the ending. I read for the story".
Because he did not have time to read every new book in his field, the great Polish anthropologist Bronislaw Malinowski used a simple and efficient method of deciding which ones were worth his attention: Upon receiving a new book, he immediately checked the index to see if his name was cited, and how often. The more "Malinowski" the more compelling the book. No "Malinowski", and he doubted the subject of the book was anthropology at all.
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