A Quote by Jurnee Smollett-Bell
Far too often, I read a script where the girls are the girlfriend or the set dressing.
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Our audience is all the girls who made Britney a huge star. Those are the girls who bought the book. I didn't read the book at first. I read the script just to see what I would think of the script and I really liked it.
Often I don't read novels. The script is more important, that's the springboard to your imagination, really. Peripheral information can be interesting to read but you can't use it when it's not in the script.
Usually, I read the script very often. I think that everything is hiding in the script.
Here is how you meet women: You tell the girls you are friends with - the ones in relationships - that you want a girlfriend. You shouldn't even have to say 'Set me up' or 'Introduce me!' If they're good girls, they'll get the hint.
Far too often, girls are not given the space and opportunities they need to achieve their full potential.
Normally, when I read a script, it takes me two and a half hours. I usually put it down and come back to it. So, I know if I can read a script in one sitting, it's a fantastic script.
The script for 'Infamous' was so poised between tragedy and comedy. It's a dream part. One reads those scripts with a sense of melancholia. When you read a script that good... I remember thinking, 'Oh, this script is too good. They'll never give it to me.'
The script for 'Infamous' was so poised between tragedy and comedy. It's a dream part. One reads those scripts with a sense of melancholia. When you read a script that good I remember thinking, 'Oh, this script is too good. They'll never give it to me.'
In reviewing films, people get quite liberal about saying "the script" this and "the script" that, when they've never read the script any more than they've read the latest report on Norwegian herring landings.
When I first read the script to 'Black Hawk Down,' I didn't think it was the greatest thing in the world - far from it. But I thought the script at least raised some very important questions that are missing from the final product.
I made a point to not read too far ahead with the first six or seven episodes of any show. I would read the outlines, but I didn't really want to read scripts too far in advance because I didn't really want to get ahead of myself, at all. To be honest, I don't have the time to come up with theories.
My springboard is always the script. Even if the script is taken from a novel, I often haven't read the novel...
As far as celebrity, people don't stop me on the street and know who I am. It's more like, 'Doesn't she remind you of so-and-so's ex-girlfriend?' It's always somebody's ex-girlfriend. Somebody ex-girlfriend who's 'crazy.'
My favorite thing to do is rip the covers off a script when reading for writers to hire and make everybody read without names on the covers of the script. I can't tell you how many times my writers, women and men, will pick people of color and women much more often than they would with a cover on the script.
Housework comes first, so girls often fall behind in school. Global statistics show that it's increasingly girls, not boys, who don't know how to read.
When you start out as an actor, you read a script thinking of it at its best. But that's not usually the case in general, and usually what you have to do is you have to read a script and think of it at its worst. You read it going, "OK, how bad could this be?" first and foremost. You cannot make a good film out of a bad script. You can make a bad film out of a good script, but you can't make a good film out of a bad script.
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