A Quote by Jussi Lehtisalo

The group is enthusiastic about making art, but it's also a good excuse to get together with friends and to enjoy each other's company and to catch up on what's going on with us. Our attitude to making music is carefree and we don't stress about it at all. If music or a particular feeling doesn't come out willingly, we'll force it out.
To me, art and music inform each other continually, and when I was making more music there was an overall aesthetic that was shared by both mediums. Now I always listen to music when I work, so when I am working a lot, that is when I start searching out new music and finding new things to get excited about.
If something was bugging you, you talk about it. But that's the cool thing: we [My Chemical Romance] don't bug each other. We just have deep discussions about art and music like friends. And we disagree about stuff but the disagreements are so healthy and intelligently thought out. We're very respectful of each other's opinions, especially about music.
I'm making music for people to have fun and party to. I'm also making real music as well. I'm making a lot of pop stuff. I'm definitely just making music for the consumer and the listeners. So shout out to all my fans.
My advice to young people wanting to make music and to be in this industry is to really spend your time making music. Make so much music you have no friends. Make music. Figure out what it is you love, and... because if you're making cool art, then everything else will fall into line.
We've always considered our music to be a healing process. It's our 'tool' to work things out with each other and try to communicate with each other and learn things. And it's good for everyone - us and our audience - to get together.
We know there are a lot of good secondaries out there. We are just trying to focus on what we can do to get better. We've got some new, young guys coming in and we are trying to catch them up to speed. We are trying to make sure that we have depth, making sure the guys behind us know what is going on. We are going to keep pushing each other to raise the standard for our secondary.
Obviously I try to make the best music that I can, but after about two years of making an album, you start to worry: 'Is it going to come out all right? Is it all going to sound churned out?'
I've dedicated a lot of my life as a writer to understanding how to hear the divine voice, or the music of the spheres, or whatever it is that we do when we're making art, making something out of nothing. Figuring out how to do that is much more important than knowing how to execute a good line. I don't think about that anymore, I just write.
I wasn't making music for the sake of music but rather making music in the context of other music. At the same time, it doesn't mean I'm not going to try and do that some day.
I am looking forward to going to Dubai because it gives us an opportunity to interact with each other. We can sit and enjoy each other's company. We can go out for a walk without worrying about shooting schedules.
I think all of us set out to try and reach as many people. That's the whole point of being in a band: trying to get your music out there. So, any opportunity to do that, within reason. We're informed about where our music is going to be used; we get to say yes or no. There are things we can turn down, and there are things we can agree to. When it comes to movies and stuff like that, it's great for us. I don't think it's selling out. Maybe 10 or 20 years ago it was seen as selling out, but nowadays I think it's the only way to get your music out there.
I believe that music is about making quality things, making quality art, and no matter who you decide to work with, you and that person have to come up with something special, come up with something that is excellent material, so whoever hears it and reviews it will like it.
After 12 intense years of rock music, I was happy to get away from making a record and going out on a tour. When I did it, I wanted to feel inspired. After a while I finally had my fill working on other people's music, and I started coming up with music on my own and said, 'This could be for me.
After 12 intense years of rock music, I was happy to get away from making a record and going out on a tour. When I did it, I wanted to feel inspired. After a while I finally had my fill working on other people's music, and I started coming up with music on my own and said, 'This could be for me.'
Going to UCLA, as far as I'm concerned, afforded me two things. One was the advantage of meeting friends and getting to know a group of guys I hung out with, was chummy with. All of us eventually had success with film. Making films, cutting our own little movies together, 3 in the morning going out and shooting stuff, finding gels that people had thrown away, making our own lights. It was like a frat house for film geeks, the Pad O' Guys. That's what being at UCLA afforded me.
I don't come from a film background. I haven't learned anything about films or film-making. But I have a thirst to know everything about my profession. I want to learn about cinematography, about editing, about music recordings, about post-production. So when people in the know talk, I willingly listen.
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