A Quote by Jussie Smollett

Rob Hardy is such a great director. — © Jussie Smollett
Rob Hardy is such a great director.

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It is true that I got recognition. But however good the comedies are, nobody will accept a good comedy director as a good director. That is the sad part of it. Nobody knows who directed the 'Laurel and Hardy' movies. They know only Laurel and Hardy. Directors will never get a good name if they direct a comedy film.
I love Rob Zombie. Rob's just a dude, you know? He's an artist, but he's a regular guy, down to earth. And he's a damned good director, too, and a lot of fun to work with.
To be a great director, what does it mean exactly? It's not only about a great director, but also about being able to rely on the very special chemistry that goes between them. It not only has to be a great director, but the great director has to make his relationship to you, the actor, very special.
Rob Zemeckis is an incredible director.
I would never butt heads with Rob Zombie. I don't know anybody that's in acting that ever butted heads with Rob Zombie. I adore Rob. I adore him. I adore working with him. I adore knowing him. I'm happy to consider myself a friend and someone who he hires. I just think he's great.
When the lab rats hear the bell ringing, they freeze. That's what fear does to you - fear stops you dead in your tracks. Fear can keep you from harm, but fear can also rob you of your potential. Fear can rob you of an experience. Fear can rob you of happiness. Fear can rob you of real life... Darkness has a way of scaring us.
Mel is a great director because he's not just a director, he's an actor, so he knows how to direct actors. I loved working with him. He's great as a director. He's so intelligent. He's generous. I really loved him.
There is a director for a reason, because a director knows what's best for the movie. You just give your director as much as you can to work with, and hopefully, the decisions they make are going to be great.
I'm excited about my own network, BounceTV. It's the first African-American-owned broadcast network. It's myself, my partner Rob Hardy, and some other African-American businessmen, including Andrew Young and Martin Luther King III.
I was the last one to screen test for The Hardy Boys. I'd like to play that's not as clean-cut as Frank Hardy. I play him as straight as possible
I was the last one to screen test for The Hardy Boys. I'd like to play that's not as clean-cut as Frank Hardy. I play him as straight as possible.
I've always thought Ed Burns was a profoundly underrated actor. He's a great director, obviously. A great director/writer. But I think he's a stunning actor, too.
Any director who comes into a revival owes a great deal to the original director. If I know the backbone works, it gives me, as a director, much more freedom to bring something new to it or try something different.
I sort of half read Thomas Hardy's 'The Mayor of Casterbridge.' It was assigned in 10th grade, and I just couldn't get into it. About seven years later, I rediscovered Hardy and consumed four of his novels in a row.
Roy received my comments with a forced smile. "Hardy, didn't I warn you not to date a woman who reads?" Hardy seemed amused by my outspokenness. "Keeps the arguing to a minimum," he replied. "No point in trying when I know she's going to win.
Rob [Reiner] is a teddy bear. He's hell delicious. He's a really good director. He's a great soul. In the movie business, I would call him a movie mom. The only person I hold in equal esteem is Clint Eastwood. Now I have worked with a lot of terrific directors, and I don't mean to be putting any of them below their own station, but these two, I relish working with them.
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