A Quote by Justin Beckett
I could paint these mountains the way they look, but it isn't how I see them.
Related Quotes
If one tries to think about history, it seems to me - it's like looking at a range of mountains. And the first time you see them, they look one way. But then time changes, the pattern of light shifts. Maybe you've moved slightly, your perspective has changed. The mountains are the same, but they look very different.
Before practicing meditation, we see that mountains are mountains. When we start to practice, we see that mountains are no longer mountains. After practicing a while, we see that mountains are again mountains. Now the mountains are very free. Our mind is still with the mountains, but it is no longer bound to anything.
I never, for instance, have the urge to paint animals 'the way I see them,' but rather the way they are... The way they themselves look at the world and feel their being
There was a windstorm in L.A., and the morning after there was no smog, and I could see the mountains. And I was like... 'There's mountains? Snowcap mountains?' That's insane; I've been there for thirteen years, and I've never seen that view before, seeing the mountains in the distance.
If thou shouldst paint mountains in a good style and to look natural, take some large stones full of cracks and copy them.
The Himalayas make you insignificant. When you are trekking in the mountains of the Himalayas and finally you reach the top exhausted and completely wiped out; you look down and you see nothing. For hundreds of miles you see just hills, mountains and mist; when you look up from your sleeping bag at night you can see just stars.
There was a whole language that I could never make function for myself; it revolved around words like 'tortured', 'struggle'. 'pain'.. .I could never see these qualities in paint - I could see them in life and art that illustrates life. But I could not see such conflicts in the materials and I knew that it had to be in the attitude of the painter.
No. I wanted to tell you that I was proud of you." Clary slewed around to look at her mother. "You were?" Jocelyn nodded. "Of course I was. The way you stood up in front of the Clave like that. The way you showed them what you could do. You made them look at you and see the person they loved most in the world, didn't you?" "Yeah," Clary said. "How did you know?" "Because I heard them all calling out different names," Jocelyn said softly. "But I still saw you.
I suppose I could understand it if men had simply forgotten unicorns, but not to see them at all, to look at them and see something else — what do they look to one another, then? What do trees look like to them, or houses, or real horses, or their own children?
Ever since a small boy, I have loved just to look at the mountains, to see them in different lights and from different angles, to feel their rough rock under my fingers and the breath of the winds against my feet... I am in love with the mountains.
O, how much simpler things would be If eyes could paint or brush could see.
If you look at ancient Chinese paintings, you see mountains, but they are not real mountains; it is something the artists imagined.
Your history's not going to go away; it isn't the same thing as dirt on the floor or paint peeling off the walls; it's not going to be solved in that way. It's more like learning how to carry it, to contact it, to see it. Because it's based on the psychology of the normal, the therapist is part of that too. And so they too are working with those very same processes. And so it requires a therapist just to see the value of it and to be willing to look at their own difficult emotions and thoughts and find a way to carry them gently in the service of the clients that they're serving.
The most horrible question students ask: 'How do you paint copper?' 'How do you paint flesh or glass?' You paint everything the same way: Right color, right value, in right spot. There are no prescriptions.
I did it to win love, and to prove myself capable. Not to move mountains. In my opinions, mountains don't move. They only look changed when you look down on them from great height.
So I said to myself-I'll paint what I see-what the flower is to me but I'll paint it big and they will be surprised into taking the time to look at it-I will make even busy New Yorkers take time to see what I see of flowers.
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