It's crazy... without the Internet I would never be in this place... without YouTube and stuff. But also I wouldn't be here without any of my fans who supported me.
The Internet means everything to everybody and it's growing by the day. You can't survive as a business, especially a small business, without having some form of good Internet presence; whether you're a shop or it's a showcase or just a way to talk to your customers.
My number one goal ... is to preserve the music industry. The only answer is the Internet. ...none of the systems are more effective than having a personal relationship with my fans via the Internet.
When you get a small group of fans who hate something, it becomes compounded by the internet. The press picks up the internet like it's a source. They don't realise it is just one person typing out their opinion.
Fans are giving me instant feedback on a chat box. I keep my fans close by working collectively as a unit. I figure as long as I do that, I can't lose. I use the internet as much as possible.
A lot has been written about the Internet bust. From my point of view, it's quite clear the Internet isn't a category; the Internet is a technological infrastructure that can be deployed to facilitate a disruptive business model or a sustaining business model.
I got a lot of fans, like core fans, that love me. I ain't one of the dudes that sell five or 10 million brackets, but my followers are stern. They're there. My fans - Jadakiss fans, LOX fans, D-Block fans - they loyal.
I think fans going to concerts expect more today in terms of meeting and things. It's cool - I get it because of how the Internet has made things much more personal for fans to follow with Facebook, Twitter and everything - but I also think it's kind of hindering because it takes from the music in a way.
I owe everything I have to them when I'm out there on the mound. But I owe the fans nothing and they owe me nothing when I am not pitching.
The Internet's been so great, and it's so nice to have fans do nice, elaborate websites, but I think the downside is some of the things... for real fans to go on and see that 90 percent of the information isn't true or to see pictures that aren't really me.
He told me I didn't understand, that we were from the bleak industrial wastes of North England, or something, and that we didn't understand the Internet. I told him Fall fans invented the Internet. They were on there in 1982.
Without our fans, we wouldn't have anything. I owe everything I have to the ones that paid money. It trickles down to them paying my salary, so I'm always thankful.
I used the Internet to keep really close contact with my fans. I think that one thing I brought over the ocean with me was the connection with my fans. They went through the process with me. They're very supportive of me, but I was nervous about that. I didn't want to make it seem like I was abandoning them.
I use the Internet a lot. I don't necessarily constantly communicate with my fans or whatever, but it would be hard to distance myself. I just couldn't do it. It's like not having a phone.
My fans - I hate the word fans...my supporters - it's an international following that isn't from being in London and existing on the "scene." It came from being on the Internet, from being a teenager communicating with different artists, showing who I am, who KESH is, as well as connecting with other people around the world doing similar things.
I think 'Lost' was really a pioneer in the use of the kind of connection between a television show and the Internet, and the Internet really gave fans an opportunity to create a community around the show. That was something that wasn't really planned; it just sort of grew up in the wake of the show.