A Quote by Justin Bieber

I like to just see what's going on at a certain location and see what there is to do. If it looks and sounds like I'm able to have fun there, then I'm all for it. — © Justin Bieber
I like to just see what's going on at a certain location and see what there is to do. If it looks and sounds like I'm able to have fun there, then I'm all for it.
That's always disappointed me, to see a guy in the crowd who doesn't look like he's having fun but in general if you just listen to the crowd it sounds like they're having fun. So I don't want to focus on the one guy who's not having fun. And by closing my eyes and just listening, I can't hear that he's not laughing but I can see that he's not laughing.
I actually like a film in a gallery, because you don't have to show up at a certain time to see something, you can just walk in whenever. I like that freedom to be able to see something anytime. I personally don't mind watching something knowing that it's not the beginning and then just letting it run its cycle.
You know, you walk through this hotel, you're not going to see all white people; you're not going to see all black people; you're going to see what the world looks like. I promised myself that if I ever got an opportunity where I would be able to make a difference and have a say, that I would want to deliver [that] message [of inclusivity].
I'm not in the media that much, so people don't know my personality very well - they just know my work. I feel bad for people who have to read about my personal life and my relationships and see photos of me going through security at an airport. It's like watching a commercial for a hamburger that looks delicious, like a Big Mac, and then going to where they make it and taking photos of what it looks like behind the counter, and it's horrifying.
I'm spinning records and I look across the restaurant and I see somebody who looks Asian. And I'm like, "Yo, that looks like Yoko Ono." I'm like, oh, I can just meet - that's going to be great. Then I look carefully and I'm like, "That's not Yoko Ono, that's Bruno Mars." And it was Bruno Mars. That just happened recently. I was bugging out. Because that was totally not Yoko Ono at all.
I like to see a video through a computer or through a phone to make sure it looks good at its worst. I hate when you perfect something for the ideal way of consuming things, and then when you see it on YouTube, it looks like crap.
I like that Sarah Palin. She looks like the flight attendant who won't give you a second can of Pepsi ... She looks like the nurse who weighs you and then makes you sit alone in your underwear for 20 minutes ... She looks like a real estate agent whose picture you see on the bus stop bench ... She looks like the hygienist who makes you feel guilty about not flossing ... She looks like the relieved mom in a Tide commercial.
I learned early in my life that sometimes I'm going to lose. I don't like it, but I accept it, meaning that I understand it's going to happen. But I don't see it like defeat; I see it like a learning process. Then if there's nothing to learn, I move on.
I don't like to see a president who is just out campaigning all year long or for the last four years. I'd like to see somebody who's going in the office. In fact, I'd like to not see them because that way you'd be sure that they'd be working.
I make fun of guys when I like them. I act like I'm 10 years old. I do it as a test to see if they can laugh at themselves. If they get sensitive, then it's like, 'Um, this isn't going to work.'
When you start to really travel and you get to these abstract like places in the world, you would see certain people's names. It seemed like we could go anywhere. Like when we went to Afghanistan, you'd see in the dressing room Run DMC's name. Certain rappers are like journey men.
When I was growing up, I felt like I had to qualify it and say I'm British-Pakistani. But now I kind of feel like, in this day in age, this is what British looks like. It looks like me; it looks like Idris Elba, and hopefully through Nasir Khan, people will see that that's what an American can look like as well.
I felt like I had kind of played it out, and I wanted to see what was next, and then came Mythbusters. You know, it's the best job I've ever had, on its worst day it's better than anything else, but it's a huge amount of responsibility, and there are days when just going into work and building something from someone else's drawing sounds like going back to heaven.
It has to be fun for you when you see somebody at a distance and you take their opinion of what they're going to be like and then you go interview them, and they're totally different. You're like, wow, I didn't expect that.
I want to create a cat like the real cats I see crossing the streets, not like those you see in houses. They have nothing in common. The cat of the streets has bristling fur. It runs like a fiend, and if it looks at you, you think it is going to jump in your face.
It's now or never. This is simple to say, but then to live like that is not easy at all, I'm sorry. You have to be aware enough so that you can see situations as they pass in front of you and be able to catch the instant, whatever it is. Many times, you just don't see the moment when you were yawning and then it's too late.
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