A Quote by Justin Broadrick

I'm always interested in very, very futuristic music and bridging the gap between the physicality of organic guitar music and trying to translate that into something electronic is really fascinating.
I'm trying to fly the flag for the days of electronic music where people who are making it are also building the gear because that was what was happening in the very early days of electronic music. And that spirit is one of the things that really appeals to me about electronic music so I'm putting this forward as a way to keep that.
A guitar can be so human, so sorrowful, so angry, and I wanted to figure out how to achieve that vibe without having to actually use guitars, because 'Badlands' is a very futuristic record - and making it that in an era of futuristic music is a really hard thing to do!
We were really interested in music from all over the world. We realized that what we were doing was very close to contemporary classical music because of the lack of tonality in the guitar- the fact that I play guitar the way I play.
I think a lot people get caught up with the synthetic quality of electronic music, but me, I've always been more interested in all those more natural sounds, in organic electricity. That's something that I want to continue to work with.
I've always appreciated more guitar-driven and, in general, just rock music; that's what I listen to. I don't really listen to electronic music.
The magic that you find in surf music, I think, is really timeless. You know, when I was very young, I was in a surf band. Surf music is an instrumental music that still means a lot to me, not in an nostalgic way, but as something that really gets to the heart of the guitar itself.
Electronic music, for me, has been the only real pioneering music that actually does push boundaries and is constantly futuristic.
I'm into old-time music; I'm not very interested in modern, popular music at all. And if I'm really into some particular old-time musician, some fiddler or banjo player, I'm always dying of curiosity to see what they look like. So there's some connection between visual images and music.
People are rejecting the power of the elite, but individuals such as Snowden are doing so in a positive way, trying to change things for the better. He is a very intelligent man and obviously interested in electronic music.
The thing I find frustrating about rock music is, how different can you make an acoustic drum kit sound, an electric guitar and vocals? It's very stuck, whereas with electronic music, new sounds are being created.
I've always enjoyed dancing and going clubbing. I've always been interested in electronic music. I would love more than anything to see my music mutate into something that would be played in clubs. For sure.
In some ways it's hard to see electronic music as a genre because the word "electronic" just refers to how it's made. Hip-hop is electronic music. Most reggae is electronic. Pop is electronic. House music, techno, all these sorts of ostensibly disparate genres are sort of being created with the same equipment.
I think what's made electronic music so fascinating is that it came up through the underground and always moved and pivoted so quickly that you could never keep a handle on it. That continues to happen. Sure, the stuff on the very top moves slower and is marketed for Spotify. But there are still going to be undercurrents that flow freely and move around, simply because there's too much of a base with this music.
I wasn't interested in sport or anything obvious, so I didn't stand out. I was interested in music, but I couldn't read music, so I wasn't allowed to do the GCSE. I was interested in painting, but no one's interested in a 16-year-old boy who's interested in painting. I wanted to get out of school very, very quickly.
With electronic music it's often a little more hidden - the relationship between gesture and sound - which makes it confounding for audiences. But the ingredients of electronic music are the same ingredients of nonelectronic music.
I was pillaging a lot of music that had nothing to do with guitar playing, using a lot of strange tunings and voicings and chord structures that aren't really that natural to the guitar; I ended up developing a harmonic palette that's not particularly natural to the guitar because I was always trying to make my guitar sound like something else.
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