A Quote by Justin Broadrick

I simply remix an artist accommodating the way I wish to see this track. Remixing is entirely personal for me, music is entirely personal for me, and it has to be a natural process.
It's amused me the writers who have assumed that I was referring to a hateful quality of society in the '80s. I think that degree of hatefulness is pretty much steady throughout human history. To me, it's just an amusing sense of self-deprecation - my hateful years. It was entirely personal; it was my personal, hateful years, when I most overtly tried to lash out at society. As I used to say: it was an attempt to burn society down to the ground.
I really believe that, as an artist, my opportunity to help to bring about awakening is one that should come from a personal process that someone has, and not from me telling somebody that this is the way it is.
If you cannot mould yourself entirely as you would wish, how can you expect other people to be entirely to your liking?
There are disasters that are entirely manmade, but none that are entirely natural.
In one sense, you put a lot of yourself into a small press - it's your personal tastes that are on the line - so when criticism is levelled it can feel personal. But, on the other hand, it can be very welcome and necessary. You're never entirely impervious, and one of the main benefits of being a small operation is that you can change the way you do things quickly in response to criticism. In all instances it pays to have a sense of humour and perspective.
The filmmaking process is a very personal one to me, I mean it really is a personal kind of communication. It's not as though its a study of fear or any of that stuff.
The muse, the beloved, and duende are three ways of thinking of what is the source of poetry, and all three seem to me different names or different ways to think about something that is not entirely reasonable, not entirely subject to the will, not entirely rational.
I'm remixing an R.E.M. track called 'I've Been High' from their last album, 'Reveal.' It's a beautiful song, but record execs didn't put it out as a single because it didn't sound like the R.E.M. we're used to. So I asked Michael Stipe if I could have the tapes to do a remix, and he agreed.
I don't sell anything. So, I have a personal image, but I think that's because I'm from an art background, and I'm an artist, and I think most artists do have personal images. I consider myself more in that category of the way an artist had a look.
My movies are painfully personal, but I'm never trying to let you know how personal they are. It's my job to make it be personal, and also to disguise that so only I or the people who know me know how personal it is. 'Kill Bill' is a very personal movie.
Thresholds of pain, indignity and incapacity are entirely personal.
He won me over entirely by giving Himself entirely to me.
In the light of trust, as it develops slowly over time, you will find that you are a privileged child of the universe, entirely safe, entirely supported, entirely loved.
Definitely, there is a sense in my writing that people now know me in a personal way. And to an extent, that's true because I write about very personal things, and I use the personal often to contextualize some of these sociopolitical issues that we're dealing with. And to an extent, they're right. They know something about me.
I was really inspired by seeing self published zines and mini-comics: seeing someone else make work that was either really personal, or was just done entirely themselves. It really showed me what was possible for my own art, and I hope that my books will inspire readers in the same way.
I really like the idea of modesty. By the time I got into music, I was already wearing the scarf all the time, and it's really personal to me, my Muslim beliefs, so I decided to keep it and find a way to work around it. I don't see it as a restriction or limitation - I can still be me and get into music and be an entertainer.
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