A Quote by Justin Cartwright

In Sydney, I gave what was billed as a masterclass to bright students of writing at the University of Sydney. But the term 'masterclass' was possibly over-egging the pudding. All I could do was pass on some lessons from my own life, and the most obvious is that if you want to be a writer, you must first have been a reader.
I performed in Sydney some years ago for the Sydney Festival and I am just so pleased to be returning to the wonderful Sydney Opera House and also performing in Melbourne for the first time.
Sydney: "You can be Jet if you want, but we are not posing as a couple again" Adrian: "Are you sure? Because I've got a lot more terms of endearment to use. Honey pie. Sugarplum. Bread pudding." Sydney: "Why are they all high-calorie foods? And bread pudding isn't really that romantic." Adrian: "Do you want me to call you celery stick instead? It just doesn't inspire the same warm and fuzzy feelings." - The Indigo Spell
How often I have tried to tell writing students that the first thing a writer must do is love the reader and wish the reader well. The writer must trust the reader to be at least as intelligent as he is. Only in such well wishing and trust, only when the writer feels he is writing a letter to a good friend, only then will the magic happen.
I studied law at university and wanted to go on a working holiday in Sydney. I got a job at the Sydney Morning Herald and later on a TV station, and that was that. I stayed there for four years.
I didn't really like my Sydney accent - nobody likes the sound of their own voice - and when I was a little younger tried to change my accent gradually. But I've only ever really lived in Sydney and Los Angeles, so I haven't been influenced by the accents of some far-off land.
The average person that lives in Sydney, if they want to buy a house in Sydney, that shouldn't be out of reach for them.
In Nova Scotia, there are some definite down-home accents, and it's funny because you can go to Sydney, and one guy is from North Sydney, and you can't understand a thing he's saying, or Glace Bay or wherever.
Actually, Sydney is my second favourite city on earth, I love Sydney, but this is the greatest.
After all, it was never Darnay he quoted, only Sydney, drunk and wrecked and dissipated. Sydney, who died for love.
My commitment is that Crown Sydney won't be just another hotel: it will be a landmark building for Sydney with a design and quality that the city deserves.
It's incredible what the Sydney Test has become - it's now iconically the pink Sydney Test. It's the sixth year that the McGrath Foundation has been involved and the support from everyone in cricket - right across the board, supporters, teams, you name it - has been absolutely incredible.
I did a masterclass at the Juilliard and asked the students, 'Can you stand?' 'Sure.' 'Can you walk?' 'Sure.' They couldn't. They had never really thought about it.
My all-time favourite children's book is 'Green Eggs and Ham' by Dr Seuss. Even as an adult I still appreciate it - what a masterclass in writing.
My first film, 'Like Minds,' was with Toni Colette, who was extraordinary. I mean it was basically a mini-masterclass for acting on film at a time when all you could probably see were my eyebrows bouncing up and down on screen.
I must say, the people who started this whole Masterclass series have been very helpful and very intelligent to point out certain things and also give me some guidance, "isn't there something missing, shouldn't we address this or that?" so it's not completely alone out of the blue. It's very well thought through.
And currently, there are four to five new works in the pipeline for upcoming celebrations such as the Sydney 2000 Olympics, Australian Federation, my 50th Birthday, and Sydney Dance Company's 25th Anniversary.
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