A Quote by Justin Cartwright

My own interest in Kafka's letter came about when I was writing an article on Peter Ginz, the boy novelist held in Terezin, not far from Prague, and exterminated in Auschwitz by the Nazis. The Ginz family were from more or less the same milieu as the Kafkas.
By the time Kafka was seven or eight years old, he already had a relatively dark view of the world derived from experiences in his own family. This told him that the world was organized in a strictly hierarchical manner and that those on the top were allowed to mete out punishment in any way they chose. They were entitled to leave those on the bottom uninformed about the rules to which they subscribed; they weren't even required to follow their own rules - this is how Kafka described it in his later Letter to My Father.
My original interest in the Nazi holocaust was personal. Both my father and mother were survivors of the Warsaw Ghetto and the Nazi concentration camps. Apart from my parents, every family member on both sides was exterminated by the Nazis.
When I was a boy, I read a terrible article in a big weekly American magazine called the 'Saturday Evening Post.' In the middle of this family magazine on my parent's coffee table was an article about this family that was camping, and they were all mauled by a grizzly bear in their sleeping bags.
More than two years after Mad About the Boy was published, the [Bridget Jones's Baby: The Diaries ] movie started coming together. I felt better about the material, and found myself writing a letter from Bridget to her son: explaining the original story of how he came to be, from his own Mum.
A job letter, an interview - even a writing sample - have far less to do with intellect and far more to do with aesthetics than you think.
Both my father and mother were survivors of the Warsaw Ghetto and the Nazi concentration camps. Apart from my parents, every family member on both sides was exterminated by the Nazis.
Apart from my parents, every family member on both sides was exterminated by the Nazis.
I've been wrestling with Kafka since I was an adolescent. I think he's a great aphorist, a great letter writer, a great diarist, a great short story writer, and a great novelist - I'd put novelist last.
There was a sentence in your letter that struck me, “I wish I were far away from everything, I am the cause of all, and bring only sorrow to everybody, I alone have brought all this misery on myself and others.” These words struck me because that same feeling, just the same, not more nor less, is also on my conscience.
Kafka is one of my very favorite writers. Kafka's fictional world is already so complete that trying to follow in his steps is not just pointless, but quite risky, too. What I see myself doing, rather, is writing novels where, in my own way, I dismantle the fictional world of Kafka that itself dismantled the existing novelistic system.
When writing becomes too dominant, it gets leached of its own power. We spend more and more time writing and we have less and less to write about.
There are two kinds of people in boxing. Those who say, 'Oh, boy; Tom Hauser is writing an article about me,' and those who say, 'Big problem; Tom Hauser is writing an article about me.'
When we write about Auschwitz, we must know that Auschwitz, in a certain sense at least, suspended literature. One can only write a black novel about Auschwitz or - you should excuse the expression - a cheap serial, which begins in Auschwitz and is still not over.
It is said Somerset Maugham traveled the world with a notebook to learn the essence of life and Kafka sat in a room for the same objective. Yet Kafka came out with a better world-view.
I made a real specific decision when I came out of school and most artists were writing about home - if you were a woman, you were writing about being a woman - and I decided not to do that, write about what you know. That's not what I do. I went as far away from home as possible in terms of the development of my imagination.
Fifty years after half a million gypsies were exterminated in the Second World War - thousands of them in Auschwitz - we're again preparing the mass killing of this minority.
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