A Quote by Justin Cartwright

A connection between poetry and blindness is a classical trope. — © Justin Cartwright
A connection between poetry and blindness is a classical trope.
What the world wants, what the world is waiting for, is not Modern Poetry or Classical Poetry or Neo-Classical Poetry - but Good Poetry. And the dreadful disreputable doubt, which stirs in my own skeptical mind, is doubt about whether it would really matter much what style a poet chose to write in, in any period, as long as he wrote Good poetry.
The connection between art and Christ is like the connection between sunlight and the sun. It is, in fact, the connection between Sonlight and the Son.
A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval 'Carmina Burana' - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.
A glance at the history of European poetry is enough to inform us that rhyme itself is not indispensable. Latin poetry in the classical age had no use for it, and the kind of Latin poetry that does rhyme - as for instance the medieval Carmina Burana - tends to be somewhat crude stuff in comparison with the classical verse that doesn't.
Poetry is the rhythmic, inevitably narrative, movement from an overclothed blindness to a naked vision that depends in its intensity on the strength of the labour put into the creation of the poetry.
I think the connection between poetry and theology, which is profound in Western tradition - there is a great deal of wonderful religious poetry - both poetry and theology push conventional definitions and explore perceptions that might be ignored or passed off as conventional, but when they are pressed yield much larger meanings, seem to be part of a much larger system of reality.
That is why I think, in defiance of Plato, that there is at once error and vulgarity in saying that poetry is a lie, except in the sense that Cocteau wrote one day: I am a lie who always tells the truth. The only poetry which lies purely and simply is academic, pseudo-classical, conceptually repetitive poetry, and it is not poetry.
Drawing is a way of coming upon the connection between things, just like metaphor in poetry reconnects what has become separated.
Poetry is, above all, a singing art of natural and magical connection because, though it is born out of one's person's solitude, it has the ability to reach out and touch in a humane and warmly illuminating way the solitude, even the loneliness, of others. That is why, to me, poetry is one of the most vital treasures that humanity possesses; it is a bridge between separated souls.
Einstein was very attracted to Mozart. There's a mathematical, classical structure to the music, and I think he identified with that very strongly. I think there also is a connection between being a genius and a polymath.
The connection between psychology, mythology, and literature is as important as the connection between psychology and biology and the hard sciences.
What's important about poetry in the context of leadership is that most of the time, power has to do with dominance. But poetry is never about dominance. Poetry is powerful but it cannot even aspire to dominate anyone. It means making a connection. That's what it means.
Community, then, is an indispensable term in any discussion of the connection between people and land. A healthy community is a form that includes all the local things that are connected by the larger, ultimately mysterious form of the Creation. In speaking of community, then, we are speaking of a complex connection not only among human beings or between humans and their homeland but also between human economy and nature, between forest or prairie and field or orchard, and between troublesome creatures and pleasant ones. All neighbors are included.
After attending the gymnasium between my eighth and seventeenth years, I studied classical philology at Berlin University for two years under Boeckh and Lachmann, and with the friendly support of Emanuel Geibel and Franz Kugler, I dabbled in all sorts of poetry.
Research at the subatomic quantum level reveals an invisible connection between all particles and all members of a given species. This oneness is being demonstrated in remarkable scientific discoveries. The findings show that physical distance, what we think of as empty space, does not preclude a connection by invisible forces. Obviously there exist invisible connections between our thoughts and our actions. We do not deny this, even though the connection is impervious to our senses.
Much is made of the accelerating brutality of young people's crimes, but rarely does our concern for dangerous children translateinto concern for children in danger. We fail to make the connection between the use of force on children themselves, and violent antisocial behavior, or the connection between watching father batter mother and the child deducing a link between violence and masculinity.
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