A Quote by Justin Cartwright
'Point Omega' starts in an art gallery, where an unnamed man is watching, day after day, a 24-hour version of 'Psycho,' an installation that was created by the Scottish artist, Douglas Gordon. In it, the events and the minutiae of Hitchcock's film are painfully slowly reproduced; the watcher is obsessed with the detail revealed.
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A [spatial, temporal] work had only to be exhibited in a gallery and then written about and reproduced as a photograph in an art magazine. Then this record of the no longer extant installation, along with accretions of information after the fact, became the basis for its fame, and to a large extent its economic value.
As we continue down the path of automation, virtually every city will have 24-hour convenience stores, 24-hour libraries, 24-hour banks, 24-hour churches, 24-hour schools, 24-hour movie theaters, 24-hour bars and restaurants, and even 24-hour shopping centers.
But in a 24-hour day, the 25th hour is also the impossible hour, an hour that doesn't exist, that can only be created by the imagination.
There are many stories of people didn't set out to make a film that became a classic - the whole process was a disaster, everybody hated each other, the movie itself was a disaster, everybody thought the movie and the script was going to be a piece of crap. Look at Alfred Hitchcock and Psycho. Nobody wanted to make Psycho; it was crap to them. The only person that wanted to make Psycho was Hitchcock. Now, it's considered a classic and a work of art.
Public art is a unique type of art. It's very different to gallery art because it is something that we pass by every day and it inevitably creates a lot of discussion in a way that gallery art does not.
If one undertakes retrospection of the day's events, one must do it regularly at the appointed hour, not fitfully, not doing it today, neglecting to do it tomorrow and the day after and then taking it up again on the fourth day. Such irregular practice is not conducive to the confirmation of the habit of retrospection.
I began thinking about the idea of a 24 hour concert. What if you tied songs to certain hours of the day - creating a 24 hour world of lyric and melody. So that was the inspiration for this project.
I love the preparation, the excitement of game day, the nervousness of game day. But I enjoy the day-to-day stuff. Game day is a great day but I enjoy Mondays and Tuesdays, watching yourself on film, watching the next opponent, getting the game plan.
The drone war takes place 24/7, 365 days a year. The war doesn't stop on Christmas. It's like being a fireman when there's a fire every single day, day after day after day. That's emotionally and physically taxing.
When you take on Hitchcock you know it's gonna provoke some sort of controversy, because there were so many people talking about the book [Stephen Rebello's Alfred Hitchcock and the Making of Psycho] and wanting it to be the film about the making of this movie [Psycho]. But that's been done. That's been done in the book, and Stephen Rebello himself was like, "I want a movie which is an entertainment for the audience." So we made the conscious decision.
Watching my own past heartache and experience day after day - it was gut-wrenching, cathartic, beautiful, and painful. That and shooting the film in less than a month.
What fits your busy schedule better, exercising one hour a day or being dead 24 hours a day?
An actress in a film starts every day with an hour and a half in front of a mirror, with hair and make-up and costumes.
I live hour by hour, day by day. I can't even plan a holiday. I go on holiday, like, the day after I book it.
I'm excited to create more awareness about the importance of giving the youth of America a choice. There's a 24-hour music channel. There's a 24-hour comedy channel. I believe there's a 24-hour gay channel coming. Why isn't there a 24-hour Christian channel that's edgy and hip and cool and new and different, like all that other stuff?
For me, the gallery legitimates the art production and helps build collections. I don't think an artist should do everything by himself forever. I did it for years and then slowly built my circle of trust.
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