A Quote by Justin Cartwright
'The Infinities' is a shortish book but densely loaded with Nabokovian slyness, gorgeous imagery, and disturbing insights into what it means to be mortal.
Related Quotes
To make three films out of one shortish book, they have to turn it into an epic, just as 'Lord of the Rings' is an epic. But 'The Hobbit' isn't an epic: its tone is intimate and personal, and although it's full of adventures and excitement, they're on a different scale to those of the bigger book.
Some infinities are bigger than other infinities.
How many people could embrace such disturbing imagery?
[Georg Cantor was the first to prove that there could be a series of infinities; that infinities come in an infinite number of sizes.] Thus Cantor's Absolute is a perfect image for what we experience of God. When I speak of a Big Enough God I am not merely thinking of an Infinite God, but the God of infinities, the Absolute, which either chooses to reveal itself or remains veiled in mystery. Modern mathematics does begin to feel like the language that God talks.
Every day we live is a priceless gift of God, loaded with possibilities to learn something new, to gain fresh insights.
It seemed like forever ago, like we've had this brief but still infinite forever. Some infinities are bigger than other infinities.
Imagery is powerful. Imagery is provocative - satellite imagery much more so because it is from space, and it allows us to get this perspective that we don't have to have otherwise.
UNMARKED is both gorgeous and hideous. A frightening and disturbing tale spun with great beauty. Absolutely riveting.
Madness in Civilization is a brilliant, provocative, and hugely entertaining history of the treatment and mistreatment of the mentally ill. Packed with bizarre details and disturbing facts, Andrew Scull's book offers fresh and compelling insights on the way medicine's inability to solve the mystery of madness has both haunted and shaped two thousand years of culture. Required reading for anyone who has ever gone to a shrink!
Every book is vulnerable, and every book is nerve-wracking, but I've never been both so excited and terrified to have a book coming into the world. It's an expressly loaded subject, one on which you can't win.
Freedom means self-fulfillment. It also means putting up with other people's irritating pursuit of the same. It means being confronted by disturbing images and ideas.
...There are issues worth advancing in images worth admiring; and the truth is never "plain," nor appearances ever "sincere." To try to make them so is to neutralize the primary, gorgeous eccentricity of imagery in Western culture since the Reformation: the fact that it cannot be trusted, that imagery is always presumed to be proposing something contestable and controversial. This is the sheer, ebullient, slithering, dangerous fun of it. No image is presumed inviolable in our dance hall of visual politics, and all images are potentially powerful.
I'm uncertain, with horror fans, when is disturbing just disturbing, and when is it fun disturbing?
Two infinities: the one that stretches to the beginning but never touches-when you halve and halve and halve, infinitely-and then the one that spreads out into the endless, endless future, the endless, endless, distance.The set of infinities that is itself infinite.
I've always wanted to do a project with space imagery because I've always loved these amazing sci-fi electro book covers. I've always loved science fiction. I feel like space imagery has no boundaries.
Great art is not a matter of presenting one side or another, but presenting a picture so full of the contradictions, tragedies, [and] insights of the period that the impact is at once disturbing and satisfying.
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