A Quote by Justin Chadwick

After college I funded my short films with acting roles in film and TV. I learned my craft through the great opportunities British television gave me as a director. — © Justin Chadwick
After college I funded my short films with acting roles in film and TV. I learned my craft through the great opportunities British television gave me as a director.
After college, I funded my short films with acting roles in film and TV. I learned my craft through the great opportunities British television gave me as a director.
My tutor was a film director on the side, and she introduced me to film. She then put me in one of her short films, and it came out of that. That's when I fell in love with the process of making a film. After that, I was about 15 and I was like, "This is what I've gotta do." So, I started taking acting lessons, and then I applied to college to do acting. I got an agent, and it all just happened.
It is to TV that I owe my freedom from bondage of the Latin lover roles. Television came along and gave me parts to chew on. It gave me wings as an actor.
We learned out craft. Acting is a craft and you must learn it. I see a lot of talent today in the kids but they don't know how to work. They don't know the craft of acting and you can only get that on the stage in theater. You cannot learn how to act in movies or in television.
When women get great roles in life, they start to get great roles in films and TV. Look at Janet Reno, Madeleine Albright, and Mrs. Thatcher. Because those images are coming at us in life, they are reflected in acting.
There are so few roles out there. And even if it is a film that could be led by a black actress, how many times is that film going to get funded? Let's just be real. But it's not just black people. It's Asians, it's Hispanic people if you're not Salma Hayek. It's hard. It's hard to get films funded.
Television has been really good to me in terms of the roles I've been able to get on TV as opposed to the roles I've gotten in film and in theater.
I'm an actor and I am looking for roles where I can continue to evolve, and things that are challenging. I gravitate to the roles, not necessarily television or film. It's just the fact that, for me, the most interesting roles have been in television.
Once in a while a good opportunity would come along, like the first 'Playhouse 90 ever to air - working in television afforded me my best opportunities. The (film) industry was going through such turmoil at the time - studios didn't know where to go anymore, they were falling apart, television was there. They didn't know what kind of films people wanted. The European films were making a huge impact because those films wanted real people in real situations.
Tisch has a great film program and a great acting program, but they are segregated; you don't really intertwine. My peers knew I liked acting, so they'd be like, 'Go get that guy Gubler. He'll be in your student film.' I was in the same building. I became their go-to guy. So I left NYU having been in probably one thousand short films.
L.A. has great business opportunities for my film and TV production company and acting career, but it can be a very lonely place.
I don't care to analyze acting. On the other hand there is a fascination because distributors are putting out British films. You get films here with great performances you'll never see again. Why compare. We should go after the businessmen.
I made lots of short films, about nine or ten short films. And then I made a television film called 'This Little Life.'
I didn't go to acting school, so it was great to be able to rehearse for a month or two, to workshop, and be with a director who even gave me acting exercises.
I did direct two short movies. I learned many things, and one of the things I learned was that I am not a director. It has to be visceral, and it's not for me. I feel much more comfortable acting.
I gravitate to the roles, not necessarily television or film. It's just the fact that, for me, the most interesting roles have been in television.
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