A Quote by Justin Chambers
Musical shows are really popular because there are lots of talented kids out there that can sing and dance.
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I think my dream would have been to be a solo artist. But it didn't work out like that, and I also love to sing lots of musical stuff; I was really good at that, I've got a big voice. I dropped into musical theater and really enjoyed it and I sang for about nine years of my career.
I remember really bonding with the first generation kids, the Chinese Canadian kids, and in high school bonding with the Latin kids and the East Indian kids. It was very interesting because it made me open to lots of musical sounds.
If someone said, "Here, you have your pick, you can do either a musical, Moulin Rouge type of movie, where you sing and dance, or an action movie, or a Shakespearian or Elizabethan movie," I would definitely love to do a movie that was based on a musical, where I would get to sing, dance and act, all at the same time.
I was under the false impression that I could sing in high school, so I did a lot of musical stuff. I can't sing or dance, so that was entertaining for everyone.
It fascinated me, these kids who would sit in their living room or bedroom or kitchen and sing to the camera and act out the song fully as though they were onstage. Because a lot of musical theater kids... do that alone in your bedroom when you're a kid. But for someone to go and put that online? That's just so embarrassing!
For people who know about dance, 'Cats' is a musical that really celebrates dance, and there are so many different styles of dance in this film, too. I was really looking forward to being part of that.
I'd love to do a modern-day musical that's full of original music. To get your contemporaries to sing and dance without looking foolish and for it to be transformational and magical and all those things a musical is supposed to be.
It seems to me that the American popular song, growing out of American folk music, is the basis of the American musical theater… it is quite legitimate to use the form of the popular song and gradually fill it out with new musical content.
I came from the musical stage. My first show was '110 In The Shade.' I started as a ballet dancer and then sort of gravitated toward musical theater, so any time I got asked to sing or dance, it was a joy for me.
Like, it's fun for me to sing 'I Think We're Alone Now.' But when 'Could've Been' comes out as a single, that's a ballad and really shows my voice; then people will say, 'Hey, this girl really can sing.'
Certainly in my youth there was lots of singing, lots of storytelling, and whenever we went to a party, you had to do a party piece, like sing songs, recite poems, or tell stories. That sort of narrative musical culture was my upbringing.
People keep referring to 'Sing Street' as a musical, but I really never felt it was that. I can't really define it as a musical.
Here in New Orleans, what a lot of the musical families do - and this is a romantic concept on my part - is they teach their kids to tap dance first. Then after tap dance, you learn piano, and after piano, you get to pick between all the instruments that are out there.
It takes skill to sing bad and dance bad, because there's a certain amount of unawareness that people have when they can't sing and they can't dance, so I have to say that it is a challenge!
Some shows feel very reverent - when you're in a seated theater, no one really sings. I love it when people sing! I wish people would sing all the time. Because one of my favorite things when I get to do as a musician is step away from the microphone and listen to everyone sing together.
I think there's that weird bastardization where musical theatre actors are treated as almost like vaudevillians or circus performers - that we're somehow not good actors because we sing and dance.
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