A Quote by Justin Chancellor

In the end, our way of writing music is a long process of experimentation. We enjoy the luxury of taking this very seriously and giving it the time that it needs.
Seriously, you know - I love to write. I enjoy the process; I enjoy the different processes, because writing for film and television and graphic novels is all very different. So I've never had the feeling of, 'Oh, you have to do this one thing.'
Write. Start writing today. Start writing right now. Don’t write it right, just write it -and then make it right later. Give yourself the mental freedom to enjoy the process, because the process of writing is a long one. Be wary of “writing rules” and advice. Do it your way.
I write in a very strange way. Things are very fragmentary for a very long time, and then they come together very quickly near the end of the process.
The first time I took a fiction writing class was sophomore year. And I just found myself taking that extremely seriously, in a way that I didn't take anything else seriously. So I guess that was the start of it.
It does not matter whether one is at the giving or receiving end of love just as long as one is part of the process in some way. It is only when we become disconnected from the process altogether that we should begin to worry.
Everybody has their own approach to songwriting. When you're an electronic musician, the whole writing process just depends. Some people have a very live way of writing electronic music, very improvisational. They set up a lot of gear and do live takes. I'm concerned with having a specific kind of sound. There's not one second that I haven't put thought into. I put almost as much time into my live shows as I do into writing music, but they're two completely different processes. Some people think the way I perform live is how I write songs, which isn't true at all.
I think any music of any worth has been done by people who were very interested in the internal process of their soul and their mind that's taking place while they're writing music.
Give yourself the mental freedom to enjoy the process, because the process of writing is a long one.
As long as your intention is pure, and you know what you're in it for, then you're alright. And I'm in it because I enjoy it. I take it seriously... real seriously. I mean I could sit and talk all day about the music.
I wasn't letting people in with the music writing process, and for a long time, I thought I was hard to work with.
What I find is that many times when I work with chance, with indeterminacy, I am more open to experience, less prone to a fixed process, and I think it creates a very important challenge. It creates a way of writing that is, in a way, flatter or smooth, a surface conducive to release, to movement. And in this way, the form of writing gets delightfully melded with the process of the writing.
I think of what I do for work as playing/jamming. Music for me is so much fun so I don't take my work very seriously in terms of not being humorous, but I take it absolutely seriously in terms of taking the time to make it as rich and glorious as possible.
I'd be hanging out in my bathrobe all day, stinky, just writing, and my mom allowed me to do this-as long as I was writing songs. She said, 'As long as you're seriously working on music, I'll support you. Don't get a job, because if you work, it will crush you.
Many of us have created lives that give very little support for experimentation. We believe that answers already exist out there, independent of us. What if we invested more time and attention to our own experimentation? We could focus our efforts on discovering solutions that work uniquely for us.
The church is an institution of music and of production and performance, and it has to do with taking people to places inside of themselves and giving them an opportunity to sit deep in their own feelings, and to be together and deeply alone at the same time, and to process things.
So long and take it easy, because if you start taking things seriously, it is the end of you.
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