A Quote by Justin Chatwin
I really like 'Shameless' because it brings up important issues, but we get to talk and laugh and look at something that's really important, that's a problem, like alcoholism and bad parenting. It's done in a funny, smart way.
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I have my friends who like me because I'm me and not because I'm in films, and that's really important to me. They tell me, 'You look terrible; don't wear that,' or 'That joke wasn't funny,' and that's really important: they keep me grounded.
Science fiction has done a really good job of scaring us into thinking that computers shouldn't get too smart, because as soon as they get really smart, they're going to take over the world and kill us, or something like that. But why would they do that?
I had no cares. I was one of those kids: ‘If you laugh at me, laugh at me.’ I don’t have that censor, which is important in this business because you’re constantly told: ‘Gosh, you didn’t look very good. You don’t look pretty in that scene, or you didn’t do that right, or you’d look so much better if your hair looked lighter.’ You really have to have tough skin or you’d end up like a heaping, crying mess all the time.
What I do onstage, there's maybe .0001 percent of the population that acts like that. I talk like that because it makes me laugh, and because I know a couple of people that talk like that. They're really that Southern. And they do funny things. I love 'em; they're awesome. They're good people.
I don't really like to share deep issues or anything like that. I have a problem with that. I don't really like to talk about some stuff.
The most impersonal seeming audiences eventually just say such intimate, smart, wise, amazing, totally surprising, funny things. It's empowering, in the sense of feeling like you're a part of something really important.
The real issues I don't think most people touch. The Clinton jokes are all about Monica Lewinsky and all that stuff and not about the important things, like the fact that he wouldn't ban landmines...I'm not tempted to write a song about George W. Bush. I couldn't figure out what sort of song I would write. That's the problem: I don't want to satirize George Bush and his puppeteers, I want to vaporize them. And that's not funny....OK, well, if I say that, I might get a shock laugh, but it's not really satire.
TV commercials make parenting look like there are going to be good days and bad days - like, it'll be this gentle wave, like you'll have a blissed-out, really wonderful day or two, and then, you know, then you'll have an issue. And what parenting is, is kind of earthquake.
When we got married - almost 10 years ago now - we made a commitment to really be together, which means we hardly ever spend a night apart. And being madly in love is important, but I think it's equally important to be in deep like! I like this guy... we talk about everything, and we laugh a lot. Life is good!
It is easier to talk about issues; it is easier to say you're a feminist because it's actually awesome to be one. The panopoly of people identifying as feminists is really excellent now that we've come to a point where all these really interesting voices are rising up and saying they're feminists - women of color, trans people, gay folks, everybody. It's an exciting time to actually define as that because it means that people are really feeling like their voice is what's the most important thing in the movement, and I love that.
People wince when something is in bad taste. They laugh when it's funny. If it's too dirty or wrong, they won't laugh. But if it's a big, dirty, smart, funny laugh, they love it.
Writer's block — so what? Write something bad. Just throw it in the trash can when you're done, you're always improving. That kind of writing is like doing a bunch of push-ups. Every individual push-up is not the important thing. On Tuesday you're going to think, "Is it really important that I do it today?" No, but the collective impact is. If you write every day, you will improve.
To a certain extent everybody has a certain sort of way of being a persona that they learn how to be when they're really little. They figure out that if they're really funny, or really pretty, or if they work really, really hard or are really smart, then that's what's going to get them by. That is what is going to make people like them.
I would like to play some character that's somewhat dramatic. I don't see myself ever becoming that serious, or it sounds weird, but I don't see myself doing something that's really dramatic but somewhat dramatic. I would like to do something that's more real and doesn't have to be laugh out loud funny. I always like whatever I'm involved in... whether it be funny or whether it be somewhat like... I'm not gonna try to get people to really cry.
Some people in Silicon Valley are as bad as the 'Koch Brothers', you know? Don't be mistaken. For every some of those, though, you get people who come up with something like 'Leafly', which does what 'Yelp' has done, but in a much more specific way, and it's important because it's the dawn of this new era.
Somebody once told me that if you laugh at a George Bush joke, or you send an email cartoon to your friends that makes Bush look like a fool, you feel like you've done something significant. But really, what have you actually done? Just expressing contempt for your leaders doesn't really accomplish anything.
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