A Quote by Justin Cronin
It was what you did, Wolgast understood; you started to tell a story about who you were, and soon enough the lies were all you had and you became that person.
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There were lots of lies along the way in life. Lies without arms, lies that were ill, lies that did harm, lies that could kill. Lies on foot, or behind the wheel, black-tie lies, and lies that could steal.
I understood when I was quite small that there were two special things about the Jews. That we'd endured for over 3,000 years despite everything that had been thrown at us, and that we had an extraordinarily dramatic story to tell.
When we started out, we were among the first. Beijing had no and Shanghai had very few large buildings. At that time, it was all about building, building, building - and then selling, selling, selling. We were working like a manufacturer. Soon, however, we realized that land was running out in Beijing and Shanghai. So we started keeping our buildings, and managing and renting them out. We became landowners. That was the second act.
I was talking to so many teenagers for so long that I started to feel like, 'I have my own story I want to tell, and I need to do it soon.' So I started to store away pieces that eventually became 'Speech & Debate.' I felt this burning need to write it while I still had not only all of the ideas but the passion to do it.
You know, I once read a short story about how much you could tell about people from their shoes. You could tell where they had been, what they did, whether they were real walkers.
For every character, I think about who they are, their story, what they are, and who they were before their game started. What was their life like? Where did they grow up? What were their parents like?
And as soon as the Internet hit and people started having their own web sites, I realized that people who did what I did, our positions were being threatened because, as journalists, we were the conduits between the celebrities and the public.
My dad used to open up photo albums and stuff and you'd have to tell a story about the picture but you couldn't tell the truth so you had to make up a story about whatever you were looking at. He really taught us how to lie.
I felt that we started to go through the motions. Our hearts weren't there. Because we were always working on the band, and it became more about selling records than about writing and being passionate. That's why I ultimately lost interest. I don't want to speak for everybody, but I personally started to lose interest because we were doing it for the wrong reasons. It became monotony and it just wasn't fun anymore. Yeah, an obligation.
I had my daughter in 2013, we moved to L.A. and there's just lots of things that were happening that were feeding into the desire to tell a story that's more personal and to talk about what it's like to be a father.
I picked up the guitar very late, in a very pagan way - I didn't know how to play, but I knew I had to. I drew and I had a diary, but it wasn't enough; I needed to express more. As soon as I learned two notes, I started to tell a story, which is why, I guess, my music resembles blues or folk.
Many Chinese criticize me not only on Baidu but on Facebook. Some say, do you think Chinese authorities were stupid enough not to realize you were a North Korean defector? If they read my book, they'd understand. I did my best to escape. I think it's all a miracle. It's not because Chinese policemen were stupid enough to believe my fake story.
The main question to a novel is -- did it amuse? were you surprised at dinner coming so soon? did you mistake eleven for ten? were you too late to dress? and did you sit up beyond the usual hour? If a novel produces these effects, it is good; if it does not -- story, language, love, scandal itself cannot save it. It is only meant to please; and it must do that or it does nothing.
As soon as the first person wrote about me, the articles became just blatant, all-out lies. I consider it slander. If I cared more, I'd kill them.
Every field piece I did on 'The Daily Show' was a story that lasted five to six minutes. We had a protagonist, we had an antagonist and often put them at odds. We knew the story we wanted to tell before we went in, and often it was about plugging whatever character you have - in this case, a real person - into said part.
Sometimes I think that if it were possible to tell a story often enough to make the hurt ease up, to make the words slide down my arms and away from me like water, I would tell that story a thousand times.
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