A Quote by Justin Halpern
I feel like if I'm going to give you a book about my dad, then I really want to give you my dad, because he is interesting and he is funny and if you're buying a book about him, I don't want you to have to sit through stuff that's not him.
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It was okay for Wayne Gretzky's dad, for instance, to give him a hockey stick, or Joe Montana's dad to give him a football, or Larry Bird's dad to give him a basketball, but it wasn't okay for Gloria Connors to give her son a tennis racquet.
When I realized I was having a baby boy, I wanted him to know that I'm there in his life: 'Dad loves him. Dad's always going to support him and be there for him.' I don't want him to have to worry about anything.
I get asked to give stuff to my dad. I'm, like, 'I'm not gonna pass your script to him!' You know? My dad's my dad. I'm not his agent.
You want to give him the book of his own life, the book that will locate him, parent him, arm him for the changes.
I'm just going to try and be a good dad and not spoil the kid: give him love and encouragement but also discipline. Me and my woman, we don't want him to feel too entitled.
I was 12 or 13, and I had seen a demo about origami at the Brooklyn Botanic Garden. My dad, my step-mom, and I were at the Japan pavilion of Epcot, and my dad was going to get me an origami book. They had these really sick origami books with an overleaf, but those packs can sometimes blow, because they give you, like, eight sheets.
My husband, William Sutcliffe, the writer, is my first reader and in many ways my most important. That initial reading of the manuscript is crucial and irreplaceable and you want them to approach it as someone in a bookshop might, not knowing much about it. So I've got into this pattern of not telling Will anything about the book I'm working on. He often knows nothing about the book I'm working on at all until I give him the whole manuscript and ask him to read it. The book I'm working on at the moment he knows nothing about. No one does.
As a digital creator, there's been so much pressure to write a book because so many of my peers have done it. I've been very adamant about saying, "No! I don't want to release a book just for the sake of writing a book. I'm going to write a book when I feel like I have something to say in a book."
A travel book is a book that puts you in the shoes of the traveler, and it's usually a book about having a very bad time, having a miserable time, even better. You don't want to read a book about someone having a great time in the South of France, eating and drinking and falling in love. What you want to read is a book about a guy going through the jungle, going through the arctic snow, having a terrible time trying to cross the Sahara, and solving problems as they go.
Parker wasn't supposed to be a series. He was supposed to be one book, and if he was only going to be in one book, I didn't worry about it. And then an editor at Pocket Books said "Write more books about him." So I didn't go back at that point and give him a first name. If I'd known he would've been a series, I would've done two things differently. First, I would've given him a first name because that means for 27 books, I've had to find some other way to say, "Parker parked the car."
If you want to write about a person who isn't nice, people say, "This is a bad book. It's about somebody I couldn't stand." But that's not the point. You don't have to like a character to like a book. Most of the time, people would misjudge and say, "I didn't like the book." No, you didn't like the character. That doesn't make it any less interesting of a book. In fact, to me, it makes it more interesting.
I'm most proud of our son, having suffered several miscarriages before having him. As for the next mountain, it takes so much to maintain what's already going on that I don't have time to think about it. But I want some more seasons of the TV show, I'd like to write another book, and eventually, I'd like to retire and take vacations with my husband like my mom and dad do.
I love my dad and respect him and miss him, but I never hung around my father that much because my dad was a lawyer and engineer, and he really didn't understand what I was about. I was supposed to go to law school at UCLA - I was admitted - and instead of going to law school, I went on the road with a band.
I always tell people, "There's a book on everyone." I get some of that book before I do anything. If I want to deeply understand someone's reputation, I'll talk to their friends, their former bosses, their peers, and I'll learn a lot about them. I want them to be trusted. I want them to be respected. I want them to give a s - -. Then there are the intangibles: physical and emotional stamina, the ability to confront issues. I can ask all I want about those things, but I also have to see a lot of it.
I'm good friends with Robbie Williams because we both grew up in Stoke and our dads went to the same pubs. His dad, Pete, is like my second dad, I can talk to him about anything and I see him most weeks. And Rob is brilliant, a really generous, lovely bloke.
When I was going through the stuff with my dad and thinking about terms like restraining order and domestic violence, I was really just searching for a way to define what I was going through. I didn't really understand what it meant to disown a parent or not want to have a parent in your life. Even the word parent was confusing to me because my father came into my life so late in my teen years.
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