A Quote by Justin Hartley

Every time you turn on the TV, you see some kind of heartbreaking story. — © Justin Hartley
Every time you turn on the TV, you see some kind of heartbreaking story.
Every time I turn on the TV, it infuriates me. You'll see an ad for Advil or Viagra and hear some monotonous voice warn you about even the smaller side effects like headaches or nausea. When you see a tampon commercial, it's all happy teenage girls running along the beach in bikinis. The dangers are beyond minimized.
Documentaries - my God, there is so much going on in our country and in the world today that every time you open the newspaper or turn on the radio or watch the news on TV there is another documentary subject. We're getting the headlines for a second, shaped by corporate delivery most of the time, but what's really the story there?
I was pretty certain I'd stay in TV rather than returning to the feature world because the material just seems so much better in TV, especially in drama, but then 'Crossface' came my way. A heartbreaking, true story about the dark side of wrestling... I couldn't say no to that.
There is some group of Americans who are really, really curious to understand how we ended up at this point, where every week it seems like you can turn on your TV and see some sort of abuse being heaped on black people.
There is no trick to writing a believable love story, a heartbreaking scene or real-sounding dialogue. All you need is to tell the truth. It’s always heartbreaking.
I think that every show on television has its place. I think Married With Children or, I don't know, The Nanny... some people want to go home, turn on the TV and be able to iron their clothes or grab a sandwich. Come out and catch a joke and not have to follow the story.
We see images of people being beheaded on TV. That's not a thing that you see all the time. That's a different kind of scary. Unfortunately, some of the scary stuff is political, and that's a change from our past.
TV has made dancing less important. It used to be a real treat to go to the movies and see Fred Astaire dance. But now you see dancing every time you turn on the set. You see lines of girls on the variety shows - even girls dancing around a big box of cleaning powder for commercials.
I always take a story that's kind of out there, like an urban myth. I take some possibility that people imagine, that they are familiar with, and try to turn it into a story.
We've had 20 years of mass murders throughout which I have repeatedly told CNN and our other media, if you don't want to propagate more mass murders, don't start the story with sirens blaring. Don't have photographs of the killer. Don't make this 24/7 coverage. Do everything you can not to make the body count the lead story, not to make the killer some kind of anti-hero. Do localize the story to the affected community and make it as boring as possible in every other market. Because every time we have intense saturation coverage of a mass murder, we expect to see one or two more within a week.
I'm inspired every time I see a role I'd like to play, an actor turn in a well crafted performance, a story I'd like to tell, direct or produce.
With every story that TV covers, somebody - some corporation, some shareholders - are making money. That's true whether covering Libya, Iraq, the tsunami in Japan, Osama bin Laden, whatever story there is. That day, the shareholders are making money off it. Every newspaper that's sold, somebody's making a dime.
You can't flood the market with every TV show, every reality show, and dump your library into the market all at one time and not have some kind of game plan in terms of pricing.
Death and resurrection are what the story is about and had we but eyes to see it, this has been hinted on every page, met us, in some disguise, at every turn, and even been muttered in conversations between such minor characters (if they are minor characters) as the vegetables.
At every turn you have to find a new kind of self-sovereignty over your environment. Every kid I see is at the mercy of Periscope, Twitter, or an Angry Bird of some description. People are shackled to their mediocrity by companies and businesses who want to consume your life with theirs.
It is wonderful but kind of surreal when people turn to me and say they see some kind of an inspiration.
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