A Quote by Justin Hartley
People will come up and say - and it is insulting - 'Do you ever want to do anything else? Like some real acting? Or a real show?' Here's the thing: You can either get upset about that, or you can realize that that person isn't trying to offend you. They're literally interested, and they're asking you a question.
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At some point, you have to disconnect, if the obsession with playing a real person gets in the way of the movie at large. At the same time, we're all interested, as actors in trying to get as close to the real thing as we can, and whatever you can do in order to create that transformation feels fun and, for me, the furthest I can get away from myself is fun. It's all part of the costume, the accent, and all that stuff. It's about trying to get close without it being a detriment to the point of view of the story that you're trying to tell.
It's weird how people were always asking us, 'Are you real? Are you joking?' That seems like something Americans care about a lot. You can't answer the question 'Are you real?' If we're anything, we're documentary fiction.
The most important thing to a lot of people, is to belong to something that's hip or whatever. To be a part of something that's not society, just a clique. And they get real sidetracked trying to think like everyone else. They don't realize that you have to motivate yourself to do things you want to do. Some people just like going along for the ride. And those are the kind of people I don't get along with too well.
I think it's because I'm real. Inside and outside of the ring, what you see is what you get. I'm CM Punk. I'm not trying to be something I'm not. I'm not trying to lie to the people or be fake. I'm not trying to be some crazy, outlandish character. I'm real and they appreciate that. Everything I say, it comes from the heart. It's all real.
I think the most important thing is to leave people inspired to do something, to realize their purpose in life. I want people to show love to each other. What I love about performing live, and especially in smaller intimate venues, is the real connection you have with the fans that you can't get in a studio or a big arena. It allows me to have real moments with my fans. I just want the night to be filled with good energy, love, and for people to leave the show happy.
I think in order to achieve real change, we as the black community need to come up with real asks and we have to determine, what do we actually want? We obviously want some social reform, on police brutality and things like that. We also need political changes. But it's more than voting. What are we as black people asking of these politicians?
I've never been that person to fake it, and say what everyone else wants you to say. Then you never have anything personal. If I wanted to be an actress all the time, I could do that. But I don't. I want to be real. I want to be a real person. That's what an artist is. An artist has to be honest. Without honesty, there's nothing.
I'm a real person. I have real feelings. I have real thoughts. It's a quality people like about me. They can reach out and touch me. I wouldn't give it up for anything.
The standard that measures two things is something different from either. You are, in fact, comparing them both with some Real Morality, admitting that there is such a thing as a real Right, independent of what people think, and that some people's ideas get nearer to that real Right than others.
I don't want people to leave the show being upset. So if I am trying to do a new joke, and sometimes I will talk about things like gun control or hostile massacre and I notice people being upset I will change the direction.
You don't want to say somebody did a great job of acting. You want to say, "Where did he find that person? How did he get that factory worker to come out of the factory and be on camera?" You want to believe that person is real.
Doing my first movie, I realized I could get into real bad habits. If you're the star, all you have to do is show up, and 20 people say, 'Do you want anything? What is it? Let me get it for you.' Believe me, you get spoiled very quickly. I saw some of my contemporaries allow themselves to have that fame, thinking they could handle it. It messed them up.
The thing I hate most in acting is asking permission to do things. What you really want to do is say, 'This is my need; this is what's going to get me further; this is what's going to be alive. I don't ever say, 'Do you mind if...?' I just come in and do it.
People say to me, Oh, it's so wonderful that you're writing about real things, and that it's a political thing to do, and I say, look-to be in my position and not say anything is a hell of a political thing. You need to think politically, otherwise you'll be one of these people who says, Oh, this person's saying this and that person's saying that, and I'm confused. And I say, yeah, because you want to be confused.
We always have visions, before a thing is made real. When we realize that although the vision is real, it is not real in us, then is the time that Satan comes in with his temptations, and we are apt to say that it is no use to go on. Instead of the vision becoming real, there has come the valley of humiliation.
The last thing I want to do is to write about real things. I am not interested in reality and in real human beings and their real day-to-day problems - I just want to say to them, 'Hold still, and I'm just going to unpack, see what's inside.'
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