A Quote by Justin Hayward
The Moodies is a responsibility to deliver the goods every night onstage and to do it sincerely; otherwise, it doesn't work. You've got the three guys left in the Moodies that really want to do it onstage, so I think we're truer to the old records now than we ever were.
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I often write things, and then I think it's too personal for the Moodies. It's not something that I could share with other guys to say.
I came up with a new game-show idea recently. It's called The Old Game. You got three old guys with loaded guns onstage. They look back at their lives, see who they were, what they accomplished, how close they came to realizing their dreams. The winner is the one who doesn't blow his brains out. He gets a refrigerator.
Being a dancer I've got the idea that through discipline and hard work, you can develop the ability to be in a different dimension within seconds. You can be vomiting, you can detest who you are, detest the world, detest every single thing, and the next moment you are in the light and you glow. You forget everything, and you are just flying. When you're onstage, you are someone else. Beyoncé is very conscious of this. She said to me, "I'm another person when I'm onstage." And I said, "Oh yes, you are! You are an animal when you are onstage. You are a stage animal."
I've done stand-up since I was 18 years old, and I absolutely love it, but I used to go onstage, and the audience was my peers. Now I go onstage, and I could be their mother.
I'm at the top, top, top of my game now. I'm so happy to be on that stage, I'm in control of it, and I love every minute of it. I walk onstage in rehearsal and I start to smile. And so I just don't care what anyone else is doing. Do what you want, say what you want. Nobody else can do what I do onstage. Nobody.
I remember times when I was at shows and the person onstage locked eyes with me. And in that moment, everything was right with the world. I think that's part of my job, to create these thousands of moments every night. And for the rest of their life, they can say, 'You guys looked at me,' or 'You sweated on me,' or 'I got your gum.'
Like a lot of the newer bands, like the more poppy kinda bands, although they make really good records and they produce them really great and everything, they don't really deliver onstage. And I think that's where like the heavier bands kinda score.
I wasn't playing the music, the music was playing me... and once that went away, and I had the feeling I was playing music, I had to stop. The need to go onstage and get my brain flattened every night left me, and what I didn't wanna do is go onstage and perpetrate a fraud... You cannot fool an audience.
When I got a part in 'All American Girl,' in 1994, I remember thinking, 'Now I have a series, I'm not going to need to do standup,' but every night I'd go out afterward and get onstage somewhere.
What I get on a yoga mat, and from a yoga teacher, has been more beneficial onstage than any other workshop I've ever done. And it starts with that breath; it starts with getting out of my head and really just slowing the system down and being in a true present moment with each and every breath. That then allows me to be a more balanced and focused individual onstage.
I was three years old, and I walked onstage during a performance that my father was a tenor in 'The Barber of Seville.' I walked out onstage, and people started laughing and clapping, and that was it. That was all it took. Laughing and clapping, I still enjoy today.
These guys were always saying, 'The minute you get onstage, it's great, no matter how much you're hurting.' But that didn't work for me. There were some nights I did not want to get out there.
You never knew what was going to happen in concert. It was a really exciting prospect to go onstage, and you can hear that in the live recordings ... wherever we were and whatever year it was, we always went onstage determined to do our best.
That's what I tend to do - get into a band, and then it gets busy... and you want to get away from it all again. That's what happened with the Moodies and Wings.
It took me a good eight to ten years to really formulate what I was doing onstage and start to get really personal with comedy. I always really had timing naturally, it was just about trying to figure out how that timing was going to work onstage.
As a kid, I would do all of the plays at my school, and I was notorious for being in five numbers in one show. I'd go onstage, run backstage for a wardrobe change, and then go back out onstage. I'm always trying to do more than I should but when I got my lucky break (or whatever it's called), I was prepared because I studied and worked really hard for it.
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