A Quote by Justin Hayward
I never got a stereo system until about 1969. It was only when I went to America in '68 and listened to FM radio; I really thought, 'Wow, there's something in this.'
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First job I had, I was 17 years old. I was primarily the mail room boy at the radio station. An FM station. And in those days, nobody listened to FM.
I never thought about writing a novel until I was 13, and that happened by chance. I was on school holidays, and I was bored, and I thought I just wanted to do something to occupy myself instead of asking, 'What can I do, mum? Entertain me.' I started, and it really just took over, and I realised, 'Wow, this is an amazing experience.'
Until now, until I actually got into law class, I just never thought of it as being an interest for me, but it's really funny because now that I'm in law, I'm like 'Wow, I could be a lawyer.
Until now, until I actually got into law class, I just never thought of it as being an interest for me, but it's really funny because now that I'm in law, I'm like 'Wow, I could be a lawyer
There was a film called 'FM,' and we were asked to do the title song. And I said, 'Does it have to have any specific words?' And they said, 'No, it just has to be about FM radio.' It took a day or two to write.
Just A Girl' was the first song that was on the radio for us. That was incredible because to hear that song on KROQ-FM in L.A., where we grew up, and you've listened to KROQ your whole life, and then to hear it on the radio was unbelievable.
My input for the first 16, 17 years of my life was AM radio, FM radio - pretty mainstream stuff. Rolling Stone was probably as edgy as it got.
I was in college, and I studied everything, but was really not good at anything until I found philosophy, and, then, political science. I thought, 'Wow, this is something I really enjoy.' I kind of got into that whole world of law and political science. I was really into it and enjoying it, and then I took an acting elective, and that was it.
It was in 1969, and I thought, wow, you know, I really didn't want to do a TV series. You know, I had my own act, and I was performing in Vegas and doing all of these exciting things.
I never really thought I was going to be a singer, honestly. I never listened to singers; I always listened to rap music.
'Dreamers' was because I really wanted to go back after I heard so much nonsense about '68. I wanted to go back to what for me was '68, when young people thought that they could change the world.
There were a lot of things I listened to, but so-called pop music never killed me, you know, the type of stuff that always seems to make it on the radio. The whole radio thing seems so... it's like they've accepted the whole "new wave" thing only because this kind of pop element came into it. In Europe they really love emotion, but here it's like, "let's stay away from it because we might cry or something".
I have listened to college radio quite a lot. I never went to college, so actually the college radio station is sort of like the closest I got to some kind of college experience.
We had huge success at first - really, really big. You could not turn on AM radio and not hear 'Every Time I Think of You.' And you couldn't turn on FM radio and not hear 'Head First.' And they were both on the same record.
Our aim was to be playable on both AM and FM radio - something no one had done in a while.
'Boneless,' even though we were thinking about servicing it to radio, it made more sense putting a vocal on there. This was actually the first time that I really looked at doing a song for radio and kind of let go of some control and listened to a lot of different radio pluggers and had Ultra come in and help out with ideas.
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