A Quote by Justin Hayward

America was the one territory where they didn't release 'Nights In White Satin' at the time it was made. It was about three or four months later, after 'Tuesday Afternoon,' so I think we have a special fondness for it.
Four months after we released 'I Don't Want to Be Funny Anymore,' the album came out on EggHunt. Three months after that, we officially signed with Matador. That's not a very long time: half a year between the first flood and the final signing.
The best time to release a film is on a festive date like Divali or Eid, or at a time when there are no big films three to four weeks before or after.
Justin Hayward was a teenager when he was drafted into the Moody Blues in 1966. He brought with him one song he had written for his girlfriend. This was called 'Nights in White Satin,' which subsequently made a fortune for a lot of people.
'The Stand' came out in May of '94 and was seen by 60 million people a night for four nights, and then two months later, 'Forrest Gump' opened. So within a very short time, I went from being depressed about not getting any work to being in two of the most popular shows of the year.
Maybe some people were surprised that I came here to Watford. But, after three or four months here, it's the best choice I could have made.
I spent almost 3 months with Bergman, four hours every afternoon. We sat and went through the whole script. To be honest, most of the time we talked about life and other different things. It was really a wonderful time.
Usually, you can live very well for two, three months, then you're in trouble. Every coach, I think, is like this. For two months, you're happy because you have time, and after two months, you miss adrenaline.
I did eight months of training for 'Wimbledon,' and then, by the time I finished the movie another four months later, I was like, 'That's me. I'm done with tennis.'
When I first have an idea, I'll spit-ball it with my husband: he's my beautiful ideas sounding board. I usually have a year deadline from start to finish, so I'll piss about for three months and pretend to get started. Then there's four to six months of actual writing and, after that, submissions, edits, and eventually a finished product.
The dance commonly begins about the middle of the afternoon or later, after sundown. When it begins in the afternoon, there is always an intermission of an hour or two for supper. The preliminary painting and dressing is usually the work of about two hours.
Britney proposing to me on a plane three months after we met, and getting married two months later was just us living in the moment. I really thought I'd spend the rest of my life with her.
One can be tired of Rome after three weeks and feel one has exhausted it; after three months one feels that one has not even scratched the surface of Rome; and after six months one wishes never to leave it.
While contemplating the bride, and eyeing the cake of soap, he muttered between his teeth: 'Tuesday. It was not Tuesday. Was it Tuesday? Perhaps it was Tuesday. Yes, it was Tuesday.' No one has ever discovered to what this monologue referred. Yes, perchance, this monologue had some connection with the last occasion on which he had dined, three days before, for it was now Friday.
For instance, if you come at four in the afternoon, I'll begin to be happy by three. The closer it gets to four, the happier I'll feel. By four I'll be excited and worried; I'll discover what it costs to be happy! But if you come at any od time, I'll never know when I should prepare my heart... There must be rites.
After the pancreatic cancer, at first I went to N.I.H. every three months, then every four months, then every six months.
Time is only an idea. There is only the Reality. Whatever you think it is, it looks like that. If you call it time, it is time. If you call it existence, it is existence, and so on. After calling it time, you divide it into days and nights, months, years, hours, minutes, etc. Time is immaterial for the Path of Knowledge.
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