A Quote by Justin Kan

I've always been someone who's, like, more of an exhibitionist. — © Justin Kan
I've always been someone who's, like, more of an exhibitionist.
There isn't a performer on earth that isn't an exhibitionist. There isn't any point in being in this business if you're not an exhibitionist. And, by the way, you can be an exhibitionist and be very shy as well.
You know, I am kind of a bi-polarish schitzerphrenic. I run the gamut of being incredibly shy and withdrawn to being a crazy-eccentric exhibitionist. And I have always been like that.
In high school I was the dog, always, and I never have felt comfortable or right in my body, and part of my whole exhibitionist thing has probably been a way of testing to see whether or not I really was this repulsive creature that I felt like for so long.
Every time I looked in the mirror, it was like, 'You're not good enough.' 'There's always someone more popular.' 'There's always someone more gifted in music.'
I'm an exhibitionist, I was an exhibitionist as a kid.
There will always be competition, especially in showbiz. There's always someone younger and hungrier standing behind you; there's always someone with more contacts; there's always someone whose grandfather or father is a filmmaker. I think your job is just to be there 100% - you work hard, and there are no shortcuts to success.
That's what I've been always saying, that I was always using the mixed doubles especially to improve my net game and being able to return a guy's serve, 'cause then when you play someone like Serena, you are little bit more prepared for that.
I've been dating younger men since my 20s, When I was 29, I dated someone 21... younger men are just more fun. I like their energy. I've always been kind of young for my age.
Music has always been a part of my life and because it always seemed so natural to me, it took someone else saying, "I think you should consider doing this for a job," for me to actually look at it that way. To me, it wasn't super goal-oriented in that way. It was like, "Oh, I like to play shows and I like to record," but I didn't think of it any more than that.
I try to, at least once or twice a week, have someone over and model, usually a dancer friend or a poet or someone to come over and just stay still for me. Depending on how exhibitionist they are, it will determine the finished work. And I say, "You're the muse; you come up with it. I'll draw you however you want."
That's life for you," said MacDunn. "Someone always waiting for someone who never comes home. Always someone loving some thing more than that thing loves them. And after a while you want to destroy whatever that thing is, so it can't hurt you no more.
Creating a close connection to those you do business with has its many risks, rewards and consequences. There are few things in business I have encountered that are more difficult than firing someone, particularly if that someone has always been, or has become a friend. On the flip side, I have been rewarded with many friends.
That's what sometimes separates people who always run and always train and people who maybe move on in life and do something else. I think I'm a lot more likely to be someone like Joan Benoit (Samuelson), who keeps going forever, just because I actually really like it, as opposed to someone who stops and never runs again.
I like the experience of being in a shoot, and I'm a total exhibitionist, but I don't like to look at them.
I was always an exhibitionist. I liked it when everyone laughed. But I didn't do plays in high school. I was too nervous.
I've always been very competitive, and I've always had this desire to win my entire life. I guess when it comes to being in the cage, especially, I just hate losing more than I like to win. The idea of someone beating me just doesn't sit well.
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