A Quote by Justin Kaplan
Quotations have always been supremely effective rhetorical devices, instruments of one-upmanship, ways of supporting any position under the sun with borrowed or stolen authority.
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Stolen sweets are always sweeter, Stolen kisses much completer, Stolen looks are nice in chapels, Stolen, stolen be your apples.
In any piece of rhetorical discourse, one rhetorical term overcomes another rhetorical term only by being nearer to the term which stands ultimate. There is some ground for calling a rhetorical education necessarily aristocratic education in that the rhetorician has to deal with an aristocracy of notions.
And the desire to own property, to take for ourselves things which in no way belong to us, does not stop short at the sun. The air is already bought and sold as a commodity, by health resorts. And what of water? Or waterpower? Why should the earth be parceled out into private hands? Is it any different from the sun? No; the earth belongs to the people who live on it. God intended it for them, but it has been taken over by private individuals. Privare means to steal. Thus private property is stolen property - property stolen from God and from humankind!
Let men learn that a legislature is not 'our God upon earth,' though, by the authority they ascribe to it, and the things they expect from it, they would seem to think it is. Let them learn rather that it is an institution serving a purely temporary purpose, whose power, when not stolen, is at the best borrowed.
I've always wanted to be a communicator of ideas through music. Today, I wanna be the most effective musical communicator of social change I could be, so I try to find different ways to do it and I'm always challenging myself to find new things, learn new instruments. But I always try to find in my heart, what it is I really want to say with words.
My opinion has always been this, that you ought to never give up as long as you live, even though they have stolen everything from you. If nothing else, you can always call the air you breath your own, or at any rate you can claim that you have it on loan. Yes, lass, last night I ate stolen bread and left my son among men who are going to use pick-handles on the authorities, so I thought I might just as well look you up this morning.
He walked out in the gray light and stood and he saw for a brief moment the absolute truth of the world. The cold relentless circling of the intestate earth. Darkness implacable. The blind dogs of the sun in their running. The crushing black vacuum of the universe. And somewhere two hunted animals trembling like ground-foxes in their cover. Borrowed time and borrowed world and borrowed eyes with which to sorrow it.
In some way, a photo is like a stolen kiss. In fact a kiss is always stolen, even if the woman is consenting. With a photograph it's the same: always stolen, and still slightly consenting.
This is stolen? We're in a stolen jet?" "Not stolen," said Donegan Bane from the co-pilot's seat. "Almost stolen," Grascious corrected. "Semi-stolen," said Donegan. "Quasi stolen," said Grascious. Aurora's frown did not turn upside down. "So is it stolen or not?" Donegan and Grascious hesitated. "Yes,"they both said toghether.
Well named, Quotology contains everything you always wanted to know about quotations, quoters, quotees, quotation books, 'quoox' (quotations out of context), and their fascinating history.
I'm no innovator. If anything I'm a stealer, or borrower. I've stolen or borrowed from more people than you can shake a stick at.
Police are inevitably corrupted. ... Police always observe that criminals prosper. It takes a pretty dull policeman to miss the fact that the position of authority is the most prosperous criminal position available.
Religious speech is extreme, emotional, and motivational. It is anti-literal, relying on metaphor, allusion, and other rhetorical devices, and it assumes knowledge within a community of believers.
This is a great position to be in. I don't really believe there is any fighter, in any decade that can be in my position of luxury that I've been in for many years.
People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy.
A profusion of fancies and quotations is out of place in a love-letter. True feeling is always direct, and never deviates into by-ways to cull flowers of rhetoric.
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